The next step in Ellie Baker’s marriage: divorce. She and her husband, Jonah, are heading to Florida to break it to the family. No great drama to share. After twenty years of marriage, they’ve just fallen out of love. Simple. Not to their college-age daughter, Maggie, who is devastated. Or to Ellie’s father, Frank, who grows as cold as a retiree can get in Orlando. As for Ellie’s mother, Bunny: no, no, no. She doesn’t want to hear it. After a dreadful weekend, Ellie and Jonah return home to New Jersey with hearts and minds still set on a split.

On the eve of her wedding to Adam, Lily’s best friend Josh unexpectedly walked out of her life, and she hasn’t seen him since. Lily and Adam are blissfully happy, until he falls ill. As she cares for him in his final hours, Adam asks her to make a mysterious promise: to find Josh—and forgive them both.

Uncertain of what tomorrow brings, Elliott Holland decides to live it up—on the eve of a stem cell transplant to treat her leukemia. It’s destiny when she crosses paths with handsome and charming Jamie Sullivan. The chemistry is magic. So is a beautiful evening that ends with a bittersweet kiss goodbye and no expectations of ever seeing each other again.

In the summer of 1925, the winds of change are particularly chilling for a young woman whose life has suddenly become unbalanced. Devastated by her mother’s death and a cruel, broken engagement, Sadie Halloran learns that her great-aunt Marguerite, a renowned artist now in the throes of dementia, needs a live-in companion. Grasping at newfound purpose, Sadie leaves her desolate Kansas City boardinghouse for Blackberry Grange, Marguerite’s once-grand mansion sitting precariously atop an Arkansas bluff.

Tig Costello has arrived in Darren, Kentucky, commissioned to paint a portrait honoring her grandfather Benjamin. His contributions to the rural Appalachian town and his unimpeachable war service have made him a local hero. But to Tig, he’s a relative stranger. To find out more about him, Tig wants to talk to the person who knew her grandfather best: Eloise Price, the woman who murdered him fifty years ago.

The last thing Alice expects to see at her husband’s graveside on his birthday is a giant, talking frog. On closer inspection, it’s a grown man dressed as Kermit. Turns out Alice’s husband is buried next to Ben’s older brother Harry, who—as a parting practical joke in his will—insisted that Ben visit his grave each year, on this specific day, dressed in an as-yet-undisclosed pageant of embarrassing fancy dress.

New York City, 1950. Dreams come true for radio personality Maggie Lane when she gets her big break in the exciting new world of television. The Maggie Lane Baking Show is on the air. All she has to do is act like the ideal housewife, create sumptuous desserts, charm the show’s sponsors, and sign a morality clause to ensure that her girl-next-door image remains untarnished. Although newlywed Maggie has never baked so much as a cookie, and knows even less about maintaining a home, keeping up appearances is a necessary ingredient for success. Easy.

Anne is barely keeping it together. A frazzled ghostwriter and aspiring novelist, she juggles nine-year-old twins and a listless marriage from an overcrowded Manhattan apartment, spreading herself thinner each day. Just as Anne is about to give up on her dreams, she lands her biggest client yet: Melody Wells. Melody paints a picture of serenity and empowerment in the lavender haze of her visualization workshops—however, the one thing she can’t manifest are the pages her publisher is demanding for her new motivational book. Enter Anne.

Vivian Quackenbush enjoys a typical life. She has winesday evenings with her two best friends. Her son is in college. She and her husband, Mitch, are planning the next move for their empty-nester future. But to Vivian’s blindsided surprise…not together. After nearly twenty-five years of marriage, Mitch wants a divorce. He confesses that he doesn’t love her anymore. He never even liked her chicken salad! Brutal. What is Vivian to do but channel her anger, frustration, and pain into a video she posts online.

Mira Salvi has the perfect life—a job she loves, a fiancé everyone adores, and the secure future she’s always imagined for herself. Really, she hasn’t a thing to complain about, not even when she has to go on her engagement trip to New York alone. While playing tourist in the city, Mira chances upon a lost ring, and her social media post to locate its owner goes viral. With everyone trying to claim the ring, only one person seems to want to find its owner as badly as Mira does: journalist Krish Hale.

In the same week, Marlen and Hilda’s family receives two significant pieces of news: One, Marlen has been diagnosed with a terminal illness. Two, a cosmic blast is set to render humanity extinct within a matter of months. It seems the coming Christmas on their Saskatchewan farm could be everyone’s last. Preparing for the inevitable, they navigate the time they have left together. Marlen and Hilda channel their energy into improbably prophetic works of art. Hilda’s elderly father receives a longed-for visitor from his past.

Once upon a time, Dr. Emily Nichols—the academic kind, not the physician kind—was an eco-crusader who was shot with water cannons, hunted by poachers, and chased by a bulldozer. Now? Action Emily lives in a bland condo with gray walls and teaches disengaged students at a university alongside a risk-allergic boyfriend, asking herself every day: How did I get here?

Catalina de Cerrato is being raised by her widowed father, Don Alonso, in 1551 Guatemala, scarcely thirty years since the Spanish invasion. A ruling member of the oppressive Spanish hierarchy, Don Alonso holds sway over the newly relegated lower class of Indigenous communities. Fiercely independent, Catalina struggles to honor her father and her late mother, a Maya noblewoman to whom Catalina made a vow that only she can keep: preserve the lost sacred text of the Popol Vuh, the treasured and now forbidden history of the K’iche’ people.

Remi Finch has spent the better part of her adult life avoiding family—especially her sisters. They just don’t click. Besides, her unconventional upbringing and major anxiety have convinced Remi that she can’t build a relationship with anyone. Period. When her parents plan a family reunion camping trip to celebrate their anniversary, Remi’s willing to reconnect, if only because she doesn’t have a choice. But then a dead body turns up at their campsite, and their sisterly bonding kicks into high gear.

Hollywood, 1955. As head costume designer for Lux Pictures, Lena Taylor hears startling confessions from the biggest movie stars. She knows how to keep their secrets—after all, none of their scandals can match her own. Lena was once Elsie Gruner, the daughter of an Ohio dressmaker. Her gift for fashion design helped her win a coveted spot at an art academy in Rome. While in Italy, she became enthralled by the charismatic Julia, who drew her into a shadowy world of jazz clubs, code words, and mysterious deliveries.

In the 1930s, Germany was a hotbed of scientific thought. But after the Nazis took power, Jewish and female citizens were forced out of their academic positions. Hedwig Kohn, Lise Meitner, Hertha Sponer and Hildegard Stücklen were eminent in their fields, but they had no choice but to flee due to their Jewish ancestry or anti-Nazi sentiments. Their harrowing journey out of Germany became a life-and-death situation that required Herculean efforts of friends and other prominent scientists.

By the early ninth century, the Carolingian empire was at the height of its power. The Franks, led by Charlemagne, had built the largest European domain since Rome in its heyday. Though they jockeyed for power, prestige, and profit, the Frankish elites enjoyed political and cultural consensus. But just two generations later, their world was in shambles. Civil war, once an unthinkable threat, had erupted after Louis the Pious’s sons tried to overthrow him—and then placed their knives at the other’s neck. Families who had once charged into battle together now drew each other’s blood.

Full of larger than life characters and cinematically written, The Cure for Women documents the birth of a sexist science still haunting us today as the fight for control of women’s bodies and lives continues.

In May 1845, Sir John Franklin, commander of HMS Erebus and HMS Terror, departed England to seek a navigable route across the top of the Americas. He and his 128 men never returned. Four years later, Royal Navy Lieutenant Frederick Robinson and Assistant Surgeon Edward Adams are determined to find the men missing in the Arctic. While they are united in purpose, they are divided in ambition. The pious and idealistic Adams strives to save his boyhood hero. Robinson hungers for promotion through the Admiralty ranks.

A city girl leaves her life behind in LA to start over in a small town… It’s a cliché, but it’s also Amelia Taylor’s life. And her new life as a romance novelist and motelier is going great—until Nathan Hart checks in. Of course he’s disastrously handsome, thoroughly disagreeable, and seems to be set against Amelia on sight. Of course there’s smoldering tension between them that can’t be ignored. They’d make the perfect enemies to lovers story. It’s one of Amelia’s favorite tropes.

In the early morning hours of October 24, 1944, the legendary U.S. Navy submarine Tang was hit by one of its own faulty torpedoes. The survivors of the explosion struggled to stay alive one hundred-eighty feet beneath the surface, while the Japanese dropped deadly depth charges. As the air ran out, some of the crew made a daring ascent through the escape hatch. In the end, just nine of the original eighty-man crew survived. But the survivors were beginning a far greater ordeal.

Once upon a time, Dr. Emily Nichols—the academic kind, not the physician kind—was an eco-crusader who was shot with water cannons, hunted by poachers, and chased by a bulldozer. Now? Action Emily lives in a bland condo with gray walls and teaches disengaged students at a university alongside a risk-allergic boyfriend, asking herself every day: How did I get here?

Seventeen-year-old Margaux doesn’t realize one photo could change the course of her life. But in German-occupied Paris, nothing makes sense anymore. Margaux fears the worst when her lover is arrested. And when her photo appears in Nazi propaganda, her family’s reputation and prospects suffer the consequences. In 2008, Margaux has moved into a retirement home, and her granddaughter Barbara continues to live in the Paris apartment they used to share.

When private investigator Matthew Hill picks up the call from his wife, Sally, his world comes crashing down. Their eight-year-old daughter, Amelie, is missing. One second, she was there, the next, she was gone. It’s the very nightmare they’ve been dreading. Long ago, Matthew left the force after a woman blamed him for her son’s death, promising that he too would one day feel her pain. It’s a threat that’s hung over his family ever since, and now it’s Amelie’s picture on the news.

Poet, Mystic, Widow, Wife charts the lives and times of four medieval women writers—Marie de France, a poet; Julian of Norwich, a mystic and anchoress; Christine de Pizan, a widow and court writer; and Margery Kempe, a no-good wife—who all bucked convention and forged their own paths. Largely forgotten by modern readers, these women have an astonishing amount to teach us about love, marriage, motherhood, friendship, and earning a living.

A crucial, clear-eyed assessment of what connects the two most influential moments of political violence in recent American history, and where we go from here.

On a cold winter day in 1832, Sarah Maria Cornell was found dead in a quiet farmyard in a small New England town. When her troubled past and a secret correspondence with charismatic Methodist minister Reverend Ephraim Avery was uncovered, more questions emerged. Was Sarah’s death a suicide...or something much darker? Determined to uncover the real story, Victorian writer Catharine Read Arnold Williams threw herself into the investigation as the trial was unfolding and wrote what many claim to be the first American true-crime narrative, Fall River.

Aspiring investigative journalist Shannon Gibbons and her family have moved into a beautiful house in the Fabulous Forties of East Sacramento, where Shannon finds a fast connection with a new neighbor. Renowned journalist Rosella Marlow appears to have a genuine interest in giving Shannon’s own career a boost—as personal assistant on Rosella’s new project. Appearances are deceiving.

Amid the ongoing reckoning over America’s history of anti-Black racism, scores of monuments to slaveowners and Confederate soldiers still proudly dot the country’s landscape, while schools and street signs continue to bear the names of segregationists. With poignant, lyrical prose, cultural commentator Irvin Weathersby confronts the inescapable specter of white supremacy in our open spaces and contemplates what it means to bear witness to sites of lasting racial trauma.

Betty MacDonald was a 28-year-old reporter from Hawaii. Zuzka Lauwers grew up in a tiny Czechoslovakian village and knew five languages by the time she was 21. Jane Smith-Hutton was the wife of a naval attaché living in Tokyo. Marlene Dietrich, the German-American actress and singer, was of course one of the biggest stars of the 20th century. These four women, each fascinating in her own right, together contributed to one of the most covert and successful military campaigns in WWII.