Alexander Cleave, actor, has left his career and his family behind and banished himself to his childhood home. He wants to retire from life, but finds this impossible in a house brimming with presences, some ghostly, some undeniably human. Memories, anxiety for the future, and more particularly, for his beloved but troubled daughter, conspire to distract him from his dreaming retirement.

From his 1935 debut with "The Universal History of Iniquity", through his immensely influential collections Ficciones and The Aleph, these enigmatic, elaborate, imaginative inventions display Borges' talent for turning fiction on its head by playing with form and genre and toying with language.

From the Booker Prize-winning author of The Sea and Ancient Light, a new novel - at once trenchant, witty, and shattering - about the intricacies of artistic creation and theft, and about the ways in which we learn to possess one another and to hold on to ourselves. Equally self-aggrandizing and self-deprecating, our narrator, Oliver Otway Orme, is a painter of some renown and a petty thief who does not steal for profit and has never before been caught.

Is there any difference between memory and invention? That is the question that fuels this stunning novel, written with the depth of character, the clarifying lyricism, and the heart-wrenching humor that have marked all of John Banville's extraordinary works. And it is the question that haunts Alexander Cleave as he plumbs the memories of his first - and perhaps only - love (he, just 15, the woman more than twice his age, the mother of his best friend; the situation impossible, thrilling, devouring, and finally devastating).

Victor Maskell has been betrayed. After the announcement in the Commons, the hasty revelation of his double life of wartime espionage, his photograph is all over the papers. His disgrace is public, his position as curator of the Queen’s pictures terminated… Maskell writes his own testament, in an act not unlike the restoration of one of his beloved pictures, in order for the process of verification and attribution to begin.

Effy Sayre has always believed in fairy tales. Haunted by visions of the Fairy King since childhood, she’s had no choice. Her tattered copy of Angharad—Emrys Myrddin’s epic about a mortal girl who falls in love with the Fairy King, then destroys him—is the only thing keeping her afloat. So when Myrddin’s family announces a contest to redesign the late author’s estate, Effy feels certain it’s her destiny. But musty, decrepit Hiraeth Manor is an impossible task, and its residents are far from welcoming.

In a sprawling mansion filled with peculiar treasures, January Scaller is a curiosity herself. As the ward of the wealthy Mr. Locke, she feels little different from the artifacts that decorate the halls: carefully maintained, largely ignored, and utterly out of place. Then she finds a strange book. A book that carries the scent of other worlds and tells a tale of secret doors, of love, adventure, and danger. Each page turn reveals impossible truths about the world, and January discovers a story increasingly entwined with her own.

Seventeen-year-old Noel Crowe is idling in the unexpected sunshine when Christy makes his first entrance into Faha, bringing secrets he needs to atone for. Though he can't explain it, Noel knows right then: something has changed. As the people of Faha anticipate the endlessly procrastinated advent of the electricity, and Noel navigates his own coming-of-age and his fallings in and out of love, Christy's past gradually comes to light, casting a new glow on a small world.

Teenager Edie Hudson was nobody’s little darling, which made vanishing all too easy. Two decades later, she’s been forgotten by everyone except her mother, Samantha. And the person who knows what happened to her. Samantha has had a long time to remember, and to regret. Having seen how little her daughter mattered to the community in the months following her disappearance, she wonders if Edie was lost before she was even gone. Or was it guilt, not indifference, that made the locals turn a blind eye? When she meets Frances, she at last starts to hope for answers.

The Waves traces the lives of six friends from childhood to old age. It was written when Virginia Woolf was at the height of her experimental powers, and she allows each character to tell their own story, through powerful, poetic monologues. By listening to these voices struggling to impose order and meaning on their lives, we are drawn into a literary journey that stunningly reproduces the complex, confusing and contradictory nature of human experience. It is read with affection and skill by Frances Jeater.

With his multiple-award-winning literary career now spanning over four decades, Lumley continues to write his superior fictions, examples of which from each of those decades can be found in this current collection, where weird tales itself is represented by no less than five stories! And so, to complete a trilogy of volumes begun with the Lovecraft-inspired The Taint and Other Novellas, and followed by Haggopian and Other Stories, Subterranean Press is now proud to offer No Sharks in the Med and Other Stories, a handpicked collection of Brian Lumley s best macabre tales.

With three novels and two short story collections published, Kevin Barry has steadily established his stature as one of the finest writers not just in Ireland but in the English language. All of his prodigious gifts of language, character, and setting in these 11 exquisite stories transport the listener to an Ireland both timeless and recognizably modern. Shot through with dark humor and the uncanny power of the primal and unchanging Irish landscape, the stories in That Old Country Music represent some of the finest fiction being written today.

Lucy Clairmont's family treasured the magic of the past, and her childhood fascination with stories of the high seas led her to become a marine archaeologist. But when tragedy strikes, it's Dashel, an American forensic astronomer, and his knowledge of the stars that may help her unearth the truth behind the puzzle she's discovered in her family home.

When folk musician Janey Little finds a mysterious manuscript in an old trunk in her grandfather’s cottage, she is swept into a dangerous realm both strange and familiar. But true magic lurks within the pages of The Little Country, drawing genuine danger from across the oceans into Janey’s life, impelling her - armed only with her music - toward a terrifying confrontation.

There is a wild man who lives in the deep quiet of Greenhollow, and he listens to the wood. Tobias, tethered to the forest, does not dwell on his past life, but he lives a perfectly unremarkable existence with his cottage, his cat, and his dryads. When Greenhollow Hall acquires a handsome, intensely curious new owner in Henry Silver, everything changes. Old secrets better left buried are dug up, and Tobias is forced to reckon with his troubled past - both the green magic of the woods and the dark things that rest in its heart.