Catherine de' Medici was a ruthless pragmatist and powerbroker who dominated the throne for 30 years. Her youngest daughter, Marguerite, the glamorous "Queen Margot," was a passionate free spirit, the only adversary whom her mother could neither intimidate nor control.

Poisoner, despot, necromancer - the dark legend of Catherine de Medici is centuries old. In this critically hailed biography, Leonie Frieda reclaims the story of this unjustly maligned queen to reveal a skilled ruler battling extraordinary political and personal odds - from a troubled childhood in Florence to her marriage to Henry, son of King Francis I of France; from her transformation of French culture to her fight to protect her throne and her sons' birthright. Based on thousands of private letters, it is a remarkable account of one of the most influential women to wear a crown.

During the spring of 1536 in Tudor England, events conspire to bring down Anne Boleyn, the Queen of England. The coup against the Queen results in the brutal executions of six innocent people - Anne Boleyn herself, her brother, and four courtiers - and the rise of a new Queen. Drawing on 16th-century letters, eye witness accounts, and chronicles, Claire Ridgway leads the listener through the sequence of chilling events one day at a time, telling the true story of Anne Boleyn's fall.

When Queen Elizabeth was excommunicated by the Pope in 1570, she found herself in an awkward predicament. Now England's key markets would be closed to her Protestant merchants. To complicate matters, the staunchly Catholic king of Spain was determined to destroy her, bolstered by the gold pouring in from the New World. In a bold decision with far-reaching consequences, Elizabeth set her sights on the East.

A powerful ruler, an alluring young woman, a scandal that would rock the nation: Anne Boleyn’s life story sounds more like a juicy TV docu-drama than a chapter of English history. Although she is not of noble birth or even especially beautiful, Anne Boleyn manages to rise to the very pinnacle of the English aristocracy. Renowned for her extraordinarily vivid recreations of historical events, Carolly Erickson brings out the full fascinating story of the enigmatic Anne Boleyn.

Noir emerged as a prominent American film genre in the early 1940s, distinguishable by its use of unusual lighting, sinister plots, mysterious characters, and dark themes. From The Maltese Falcon (1941) to Touch of Evil (1958), films from this classic period reflect an atmosphere of corruption and social decay that attracted such accomplished directors as John Huston, Alfred Hitchcock, Billy Wilder, and Orson Welles.

The Tudors are England's most notorious royal family. But, as Leanda de Lisle's gripping new history reveals, they are a family still more extraordinary than the one we thought we knew. The Tudor canon typically starts with the Battle of Bosworth in 1485 before speeding on to Henry VIII and the Reformation. But this leaves out the family's obscure Welsh origins and the ordinary man known as Owen Tudor who would fall (literally) into a queen's lap - and later her bed.

On October 31, 1517, an unknown monk nailed a theological pamphlet to a church door in a small university town and set in motion a process that helped usher in the modern world. Within a few years, Luther's ideas had spread like wildfire. His attempts to reform Christianity by returning it to its biblical roots split the Western Church, divided Europe, and polarized people's beliefs.

The comprehensive and accurate edition of the Hagakure is a must-have for serious martial artists or fans of samurai and the Bushido code.

This question obsessed Renaissance writers, none more than Michel Eyquem de Montaigne, perhaps the first recognizably modern individual. A nobleman, public official, and winegrower, he wrote free-roaming explorations of his thought and experience, unlike anything written before. He called them essays, meaning “attempts” or “tries.” He put whatever was in his head into them: his tastes in wine and food, his childhood memories, the way his dog’s ears twitched when it was dreaming, as well as the religious wars....

Baldwin's personal reflections on movies gathered here in a book-length essay are also a probing appraisal of American racial politics. Offering an incisive look at racism in American movies and a vision of America's self-delusions and deceptions, Baldwin challenges the underlying assumptions in such films as In the Heat of the Night, Guess Who's Coming to Dinner, and The Exorcist.

Cleopatra VII Philopator was the last active ruler of the Ptolemaic Kingdom of Egypt, nominally survived as pharaoh by her son Caesarion. She was also a diplomat, naval commander, polyglot, and medical author. As a member of the Ptolemaic dynasty, she was a descendant of its founder, Ptolemy I Soter, a Macedonian Greek general and companion of Alexander the Great.

The tellers of Greek myths—historically men—have routinely sidelined the female characters. When they do take a larger role, women are often portrayed as monstrous, vengeful or just plain evil—like Pandora, the woman of eternal scorn and damnation whose curiosity is tasked with causing all the world’s suffering and wickedness when she opened that forbidden box. But, as Natalie Haynes reveals, in ancient Greek myths there was no box. It was a jar . . . which is far more likely to tip over.

As an aging, tenacious Elizabeth I clung to power, a talented playwright probed the social causes, the psychological roots, and the twisted consequences of tyranny. In exploring the psyche (and psychoses) of the likes of Richard III, Macbeth, Lear, Coriolanus, and the societies they rule over, Stephen Greenblatt illuminates the ways in which William Shakespeare delved into the lust for absolute power and the catastrophic consequences of its execution.

In the years leading up to 1606, since the death of Queen Elizabeth and the arrival in England of her successor, King James of Scotland, Shakespeare's great productivity had ebbed, and it may have seemed to some that his prolific genius was a thing of the past. But that year, at age 42, he found his footing again, finishing a play he had begun the previous autumn - King Lear - then writing two other great tragedies, Macbeth and Antony and Cleopatra.