Late Revelations introduces a revolutionary model for understanding the creation of the gospels in the New Testament and beyond. Rather than viewing the gospels as static and finished works published at one time, this book proposes that the initial gospels were "waves" of rolling traditions—stories, teachings, and sayings that evolved within early Christian groups. These traditions were fluid and dynamic, initially lacking the apostolic authorship attributed to them by later generations.

What does it mean for Jesus to be “deified” in early Christian literature? Litwa’s samples take us beyond the realm of abstract theology to dwell in the second- and third-century imagination of what it meant to be a god and shows that the Christian depiction of Christ was quite at home there.

This book examines the origins of the evil creator idea chiefly in light of early Christian biblical interpretations. It is divided into two parts. In Part I, the focus is on the interpretations of Exodus and John. Firstly, ancient Egyptian assimilation of the Jewish god to the evil deity Seth-Typhon is studied to understand its reapplication by Phibionite and Sethian Christians to the Judeo-catholic creator. Secondly, the Christian reception of John 8:44 (understood to refer to the devil's father) is shown to implicate the Judeo-catholic creator in murdering Christ.

The ancient Mediterranean teemed with gods. For centuries, a practical religious pluralism prevailed. How, then, did one particular god come to dominate the politics and piety of the late Roman Empire? In Ancient Christianities, Paula Fredriksen traces the evolution of early Christianity—or rather, of early Christianities—through five centuries of Empire, mapping its pathways from the hills of Judea to the halls of Rome and Constantinople.

The Hermetic corpus is a spiritual and intellectual treasure stemming from ancient Egyptian sages who could write and think in Greek. Since the Renaissance, this corpus has appeared in an order that does not fit the path of spiritual initiation suggested by the corpus itself.

Set in 12th-century Jerusalem, Pilgrim follows the treacherous journey of a German knight and his companions as they return home after seven arduous years battling for God in the Holy Land. Within this sprawling tale lies a tapestry of medieval horror, intertwining history and folklore, encompassing both a metaphysical and literal odyssey.

The scholarship of theology and religion teaches us that the God of the Bible was without a body, only revealing himself in the Old Testament in words mysteriously uttered through his prophets, and in the New Testament in the body of Christ. The portrayal of God as corporeal and masculine is seen as merely metaphorical, figurative, or poetic. But, in this revelatory study, Francesca Stavrakopoulou presents a vividly corporeal image of God: a human-shaped deity who walks and talks and weeps and laughs, who eats, sleeps, feels, and breathes, and who is undeniably male.

This tenth anniversary revised edition of the authoritative text on Christianity's first thousand years of history features a new preface and an updated bibliography. The essential general survey of medieval European Christendom, Brown's vivid prose charts the compelling and tumultuous rise of an institution that came to wield enormous religious and secular power.

In Armageddon, acclaimed New Testament authority Bart D. Ehrman delves into the most misunderstood—and possibly the most dangerous—book of the Bible, exploring the horrifying social and political consequences of expecting an imminent apocalypse and offering a fascinating tour through three millennia of Judeo-Christian thinking about how our world will end. By turns hilarious, moving, troubling, and provocative, Armageddon presents inspiring insights into how to live our lives in the face of an uncertain future.

Did the early Christians believe their myths? Like most ancient—and modern—people, early Christians made efforts to present their myths in the most believable ways.

This book examines the origins of the evil creator idea chiefly in light of early Christian biblical interpretations. It is divided into two parts. In Part I, the focus is on the interpretations of Exodus and John. Firstly, ancient Egyptian assimilation of the Jewish god to the evil deity Seth-Typhon is studied to understand its reapplication by Phibionite and Sethian Christians to the Judeo-catholic creator. Secondly, the Christian reception of John 8:44 (understood to refer to the devil's father) is shown to implicate the Judeo-catholic creator in murdering Christ.

What does it mean for Jesus to be “deified” in early Christian literature? Litwa’s samples take us beyond the realm of abstract theology to dwell in the second- and third-century imagination of what it meant to be a god and shows that the Christian depiction of Christ was quite at home there.

Alexandria was the epicenter of Hellenic learning in the ancient Mediterranean world, yet little is known about how Christianity arrived and developed in the city during the late first and early second century CE. In this volume, M. David Litwa employs underused data from the Nag Hammadi codices and early Christian writings to open up new vistas on the creative theologians who invented Christianities in Alexandria prior to Origen and the catechetical school of the third century.

The Hermetic corpus is a spiritual and intellectual treasure stemming from ancient Egyptian sages who could write and think in Greek. Since the Renaissance, this corpus has appeared in an order that does not fit the path of spiritual initiation suggested by the corpus itself.

There is not just a desire but a profound human need for enhancement - the irrepressible yearning to become better than ourselves. Today, enhancement is often conceived of in terms of biotechnical intervention: genetic modification, prostheses, implants, drug therapy - even mind uploading. The theme of this book is an ancient form of enhancement: a physical upgrade that involves ethical practices of self-realization. It has been called 'angelification' - a transformation by which people become angels.