Queenie Jenkins is a 25-year-old Jamaican British woman living in London, straddling two cultures and slotting neatly into neither. She works at a national newspaper, where she’s constantly forced to compare herself to her white middle-class peers. After a messy breakup from her White long-term boyfriend, Queenie seeks comfort in all the wrong places...including several hazardous men who do a good job of occupying brain space and a bad job of affirming self-worth.

After being together for 10 years, Sylvie and Dan have all the trimmings of a happy life and marriage; they have a comfortable home, fulfilling jobs, and beautiful twin girls and communicate so seamlessly, they finish each other's sentences. However, a trip to the doctor projects they will live another 68 years together, and panic sets in. They never expected "until death do us part" to mean seven decades. In the name of marriage survival, they quickly concoct a plan to keep their relationship fresh and exciting.

Nina does not have a drinking problem. She likes a drink, sure. But what 17-year-old doesn't? Nina's mum isn't so sure. But she's busy with her new husband and five-year-old Katie. Nina's almost an adult, after all. And if Nina sometimes wakes up with little memory of what happened the night before, then her friends are all too happy to fill in the blanks. Nina's drunken exploits are the stuff of college legend. But then one dark Sunday morning, even her friends can't help piece together Saturday night.

Francesca is at the beginning of her second term in Year 11 at an all boy's school that has just started accepting girls. She still misses her old friends, and, to make things worse, her mother has had a breakdown and can barely move from her bed.

From the marvelous author of Heartstopper comes an exceptional YA novel about discovering that it's okay if you don't have sexual or romantic feelings for anyone...since there are plenty of other ways to find love and connection.

Twenty years ago, Allie Denty was the pretty one and her best friend Olivia Pelham was the smart one. Throughout high school, they were inseparable...until a vicious rumor about Olivia - a rumor too close to the truth - ended their friendship. Now, on the eve of their 20th high school reunion, Allie, a temp worker, finds herself suddenly single, a little chubby, and feeling old.

Michael usually concerns himself with basketball and hanging out with his friends, but every once in a while, his parents drag him to meetings and rallies with their anti-immigrant group. And it all makes sense to Michael. Until Mina, a beautiful girl from the other side of the protest lines, shows up at his school and turns out to be funny, smart - and a Muslim refugee from Afghanistan. Suddenly his parents' politics seem much more complicated.

Will Freeman may have discovered the key to dating success: If the simple fact that they were single mothers meant that gorgeous women - women who would not ordinarily look twice at Will - might not only be willing, but enthusiastic about dating him, then he was really onto something. Single mothers - bright, attractive, available women - thousands of them, were all over London. He just had to find them.

Everyone knows how all those fairy tales go. The princess gets beautiful, nabs her prince, falls instantly in love, lives happily ever after and leaves her evil stepsisters in the dust. But what happens when you're the ugly stepsister and your obnoxiously perfect - read pretty, smart, and, worst of all, sickeningly nice - stepsister is dating the charming, tall, devastatingly handsome guy you've had a thing for since you were nine years old? Quirky, artistic and snarky Mattie Lowe does not lead a charmed life. Her mother is constantly belittling her on Skype.

Liv knows he was always meant to be a boy, but with his new school's terrible dress code, he can't even wear pants. Only skirts. Operation Pants Project begins! The only way for Liv to get what he wants is to go after it himself. But to Liv, this isn't just a mission to change the policy - it's a mission to change his life. And that's a pretty big deal.

What do you get if you cross a dozen drunk hens with one shiny Butler in the Buff? Meet Lilah Fox. She's on the hen do from hell. Then she gets a message (44 of them, actually) from her best friend with big news: she's getting married in six months. Oh, and Lilah's her maid of honour. Which means she just got signed up for a military schedule of wedding fairs and weekly planning meetings, Excel spreadsheets and endless hen emails, and all the enforced, expensive fun you can imagine....

The Cows is a powerful novel about three women. In all the noise of modern life, each needs to find her own voice. It's about friendship and being female. It's bold and brilliant. It's searingly perceptive. It's about never following the herd. And everyone is going to be talking about it.

Billie is looking forward to a quiet, man-free Christmas. It’s just a shame her family doesn't feel the same way. With a house full of unexpected (and unwanted) guests, Billie needs to find the perfect escape to get away from the chaos. So when her dating app recommends a week of singles nights in her area, Billie decides that braving these events has to be better than making conversation with her dad’s new wife, dealing with her mum's mid-life crisis or witnessing her sister flirting with her insufferably arrogant next-door neighbour.

Helen is nearly 40, and has, for far too long, had an affair with Matthew, a high-powered, much older, attractive, married man who was once, of course, her boss. After years of being disappointed by missed dates, out-of-the-way restaurants, broken promises, and hushed phone calls, at last Helen realizes it's time to dump Matthew and get on with her life. This, of course, is the exact moment when Matthew decides to leave his wife for her.

There are three things you need to know about Preston “PK” Kingsley: He’s a writer, toiling in obscurity as an editorial assistant at a New York City publishing house. He is not a cliché. No, really. He’s been secretly in love with his best friend, Art, since they once drunkenly kissed in college. When Art moves in with PK following a bad breakup, PK hopes this will be the moment when Art finally sees him as more than a friend.