Writer Ben Mears has returned to his hometown of Jerusalem's Lot with the hope that moving into a delapidated mansion, long the subject of town lore, might help him get a handle on his life and provide inspiration for a new book. But when two young boys venture into the woods and only one comes out alive, Mears begins to realize that there may be something sinister at work.

As a sixteen-year-old, Tessa Cartwright was found in a Texas field, barely alive amid a scattering of bones, with only fragments of memory as to how she got there. Ever since, the press has pursued her as the lone surviving “Black-Eyed Susan”, the nickname given to the murder victims because of the yellow carpet of wildflowers that flourished above their shared grave. Tessa’s testimony about those tragic hours put a man on death row.

When best-selling horror author Sam McGarver is invited to spend Halloween night in one of the country's most infamous haunted houses, he reluctantly agrees. At least he won't be alone; joining him are three other masters of the macabre, writers who have helped shape modern horror. But what begins as a simple publicity stunt will become a fight for survival. The entity they have awakened will follow them, torment them, threatening to make them a part of the bloody legacy of Kill Creek.

Imogene is young, beautiful . . . and dead, waiting in the Rosebud Theater one afternoon in 1945. . . . Francis was human once, but now he's an eight-foot-tall locust, and everyone in Calliphora will tremble when they hear him sing. . . . John is locked in a basement stained with the blood of half a dozen murdered children, and an antique telephone, long since disconnected, rings at night with calls from the dead.

David Sloane is the best wrongful death attorney in San Francisco. He's a lawyer who can make juries do anything. But despite his professional success, he's plagued by a nightmare of a childhood he cannot consciously remember. When he receives a package from a White House confidant who then turns up dead by apparent suicide, the contents reveal a history he never could have imagined.

An eerie light proclaims the arrival of a mysterious watcher in the woods. And one solitary man begins a desperate battle against something unknown - and unknowable.

It's June in Montreal, and Dr. Temperance Brennan, who has left a shaky marriage back home in North Carolina to take on the challenging assignment of Director of Forensic Anthropology for the province of Quebec, looks forward to a relaxing weekend in beautiful Quebec City. First, though, she must stop at a newly uncovered burial site in the heart of the city. The remains are probably old and only of archeological interest, but Tempe must make sure they're not a case for the police. One look at the decomposed and decapitated corpse, stored neatly in plastic bags, tells her she'll spend the weekend in the crime lab.

Of all the things aspiring artist Haven Marbury expected to find while clearing out her late father's remote seaside house, Bedtime Stories for Monsters was not on the list. This secret handwritten manuscript is disturbingly different from his Pulitzer-winning works: its interweaving short stories crawl with horrific monsters and enigmatic humans that exist somewhere between this world and the next. The stories unsettle but also entice Haven, practically compelling her to illustrate them while she stays in the house that her father warned her was haunted.

We’re all afraid of things that go bump in the night. Shadows in the graveyard, wind moaning through the trees, a creaking door in a sinister old house. There are things hiding in the darkness. And sometimes, what you can’t see can definitely hurt you.... Scare Street is proud to present Night Terrors: Volumes one to three in a single collection. A menagerie of macabre nightmares, featuring 39 tales of supernatural horror for your listening pleasure.

Some art takes on a life of its own. A beautiful house. A loving family. Two kids, a dog, and a tenure-track professorship teaching art at the local university. Dan Rineheart is living the dream. But all dreams must end. When an anonymous painting arrives at the university, Dan is tasked with uncovering the artist. No title. No name. No signature or frame. It’s a disturbing work of grotesque perfection. A work of art...that changes with each viewing. So begins the nightmare. Where painted clocks tick-tock in the dark hours before dawn.

Once a best-selling horror author, Paul Alenn is in a slump. His wife and daughter are across the country, moved away to the West Coast, leaving him alone in his Central Park-adjacent New York townhouse. When his sister calls, asking for help packing up his estranged mother’s house in his old hometown, Red Creek, he decides to put the past behind him and face his demons.

Investigative journalist Laura Chambers is back in her tiny hometown of Hillsborough, North Carolina, the one place she swore never to return. Fired from The Boston Globe, her career in shambles, she reluctantly takes a job with the local paper. The work is simple, unimportant, and worst of all, boring - at least until a missing girl turns up dead, the body impeccably clean, dressed to be the picture of innocence. Years earlier, 10-year-old Patty Finch left home and never made it back. But for the people of Hillsborough, Patty was just the beginning.

With tales from Laird Barron, Stephen King, John Langan, Peter Straub, and many others, and featuring Datlow’s comprehensive overview of the year in horror, now, more than ever, The Best Horror of the Year provides the petrifying horror fiction readers have come to expect - and enjoy.

In this spine-tingling thriller, mystery author Andrew Wilson is blessed with a life most would envy, but he has no one to share it with. And then he meets Mika Woods, a woman of otherworldly beauty. After a night of passion, Andrew regrets his decision and wants to take things slow. But slow is not Mika's speed, and soon Andrew is combating the advances of an obsessed, supernatural woman.

There are things in the darkness, things much worse than the tracks and abandoned pieces of equipment that trip the children up and gash at their feet and legs, things that brush silently past them, touching their faces before disappearing again....