
Creep
Accusations and Confessions
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Narrated by:
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Myriam Gurba
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By:
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Myriam Gurba
About this listen
A NATIONAL BOOK CRITICS CIRCLE FINALIST * A LAMBDA LITERARY AWARD WINNER
“Quite simply one of the best books of the decade.” —Los Angeles Review of Books * “The mother of intersectional Latinx identity.” —Cosmopolitan * “Brilliant…a hopeful book…rooted in the steadfast belief other worlds are possible.” —The New York Observer * “Witty, confident, and effortlessly provocative.” —The Philadelphia Inquirer * “The most fearless writer in America.” —Luis Alberto Urrea, Pulitzer Prize finalist and author of Good Night, Irene
A ruthless and razor-sharp essay collection that tackles the pervasive, creeping oppression and toxicity that has wormed its way into society—in our books, schools, and homes, as well as the systems that perpetuate them—from one of our fiercest, foremost explorers of intersectional Latinx identity.
A creep can be a single figure, a villain who makes things go bump in the night. Yet creep is also what the fog does—it lurks into place to do its dirty work, muffling screams, obscuring the truth, and providing cover for those prowling within it.
Creep is “sharp, conversational cultural criticism” (Bustle), a blistering and slyly informal sociology of creeps (the individuals who deceive, exploit, and oppress) and creep culture (the systems, tacit rules, and institutions that feed them and allow them to grow and thrive). In eleven bold, electrifying pieces, Gurba mines her own life and the lives of others—some famous, some infamous, some you’ve never heard of but will likely never forget—to unearth the toxic traditions that have long plagued our culture and enabled the abusers who haunt our books, schools, and homes.
With her ruthless mind, wry humor, and adventurous style, Gurba implicates everyone from William Burroughs to her grandfather, from Joan Didion to her own abusive ex-partner; she takes aim at everything from public school administrations to the mainstream media, from Mexican stereotypes to the carceral state. Weaving her own history and identity throughout, she argues for a new way of conceptualizing oppression, and she does it with her signature blend of bravado and humility.
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In 2030, a grieving archeologist arrives in the Arctic Circle to continue the work of his recently deceased daughter at the Batagaika Crater, where researchers are studying long-buried secrets now revealed in melting permafrost, including the perfectly preserved remains of a girl who appears to have died of an ancient virus. Once unleashed, the Arctic plague will reshape life on Earth for generations to come, quickly traversing the globe, forcing humanity to devise a myriad of moving and inventive ways to embrace possibility in the face of tragedy.
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Should come with a sadness warning
- By KJH on 03-16-22
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The Viral Underclass
- The Human Toll When Inequality and Disease Collide
- By: Steven W. Thrasher
- Narrated by: Dr. Jonathan M. Metzl, Steven W. Thrasher
- Length: 9 hrs and 26 mins
- Unabridged
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Having spent a ground-breaking career studying the racialization, policing, and criminalization of HIV, Dr. Thrasher has come to understand a deeper truth at the heart of our society: that there are vast inequalities in who is able to survive viruses and that the ways in which viruses spread, kill, and take their toll are much more dependent on social structures than they are on biology alone.
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New Perspective
- By Colin Oldham on 01-05-23
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The Great Displacement
- Climate Change and the Next American Migration
- By: Jake Bittle
- Narrated by: Matt Godfrey
- Length: 10 hrs and 26 mins
- Unabridged
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Even as climate change dominates the headlines, many of us still think about it in the future tense—we imagine that as global warming worsens over the coming decades, millions of people will scatter around the world, fleeing famine and rising seas. What we often don’t realize is that the consequences of climate change are already visible, right here in the United States. In communities across the country, climate disasters are pushing thousands of people away from their homes.
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Where we're headed
- By Dr. Stuart A. Blair on 03-09-23
By: Jake Bittle
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When the Clock Broke
- Con Men, Conspiracists, and How America Cracked Up in the Early 1990s
- By: John Ganz
- Narrated by: Eric Jason Martin
- Length: 15 hrs and 17 mins
- Unabridged
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With the Soviet Union extinct, Saddam Hussein defeated, and U.S. power at its zenith, the early 1990s promised a “kinder, gentler America.” Instead, it was a period of rising anger and domestic turmoil, anticipating the polarization and resurgent extremism we know today. In When the Clock Broke, the acclaimed political writer John Ganz tells the story of America’s late-century discontents.
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Amazing history of the early 90s
- By Aaron R. Isaacson on 06-25-24
By: John Ganz
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Psychonauts
- Drugs and the Making of the Modern Mind
- By: Mike Jay
- Narrated by: Rachel Perry
- Length: 11 hrs and 56 mins
- Unabridged
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Until the twentieth century, scientists investigating the effects of drugs on the mind did so by experimenting on themselves. Vivid descriptions of drug experiences sparked insights across the mind sciences, pharmacology, medicine, and philosophy. But after 1900 drugs were increasingly viewed as a social problem, and the long tradition of self-experimentation began to disappear. Mike Jay brilliantly recovers a lost intellectual tradition of drug-taking that fed the birth of psychology, the discovery of the unconscious, and the emergence of modernism.
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Outstanding
- By Austin on 07-20-24
By: Mike Jay
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Disaster Nationalism
- The Downfall of Liberal Civilization
- By: Richard Seymour
- Narrated by: John Keating
- Length: 10 hrs and 25 mins
- Unabridged
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The rise of the new far right has left the world grappling with a profound misunderstanding. While the spotlight often shines on the actions of charismatic leaders, the true peril lies elsewhere. Defeating these people will not stem the tide driving them forward. They are merely the embodiment of profound forces that are rarely understood. Propelled through the vast networks of social media and fueled by far-right influencers, enthralled by images of disaster and fantasies of doom, they have emerged from a reservoir of societal despair, fear, and isolation.
By: Richard Seymour
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Stoner
- By: John Williams
- Narrated by: Robin Field
- Length: 9 hrs and 46 mins
- Unabridged
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William Stoner is born at the end of the 19th century into a dirt-poor Missouri farming family. Sent to the state university to study agronomy, he instead falls in love with English literature and embraces a scholar's life, far different from the hardscrabble existence he has known. And yet as the years pass, Stoner encounters a succession of disappointments.
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A story of sadness and serenity
- By Anton on 10-13-12
By: John Williams
What listeners say about Creep
Average customer ratingsReviews - Please select the tabs below to change the source of reviews.
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- Kerry D. Stiles
- 02-02-24
Creep
There is so much in the voice of this book aside from being a Californian. It’s excellent.
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- Giovana Giscome
- 06-07-24
So grateful
She is the kind of writer I have been hoping to come across. I look forward to reading and listening to all her work. What a gift. Thank you.
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- Beezus
- 07-21-24
Well crafted collection of essays
Beautiful, painful, and incredibly potent. This was an excellent book and I love that it was read by the author.
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- Abstraction
- 12-28-24
(Should Have Been) Great
I really wanted to like this book, as the overall message is one we need more of - a testament against racism, misogyny, violence against women, gender-based prejudice, domestic violence, and more. However, the brilliant parts of it are overshadowed by a pervasive (writer’s) voice that is shrill and petulant. I kept having to remind myself the writer is over 40, as too much of her tone sounds like an adolescent’s. Her message would have been far more powerful had she maintained a mature outrage. She also undermines her outrage by her narration, adopting the persistent habit HRT (upspeak), in which she gives WAY too many of her declarative sentences the rising pitch of a question - an affectation of some women a decade or more younger than her - reinforcing a younger, less serious demeanor, rather than the moral outrage of a mature woman her story deserves. She would be a much better narrator of her own work if she could exorcise her remaining adolescent angst.
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