The Galahad, a faster-than-light spacecraft, carries 50 scientists and engineers on a mission to prepare Kepler 452b, Earth's nearest habitable neighbor at 1400 light years away. With Earth no longer habitable and the Mars colony slowly failing, they are humanity's best hope. After 10 years in a failed cryogenic bed - body asleep, mind awake - William Chanokh's torture comes to an end as the fog clears, the hatch opens, and his friend and fellow hacker, Tom, greets him...by stabbing a screwdriver into his heart. This is the first time William dies.

Short novels are movie-length narratives that may well be the perfect length for science fiction stories. This audio collection presents the best-of-the-best short science fiction novels published in 2014 by current and emerging masters of this vibrant form of storytelling.

Neal Stephenson, "the hottest science fiction writer in America", takes science fiction to dazzling new levels. The Diamond Age is a stunning tale; set in 21st-century Shanghai, it is the story of what happens what a state-of-the-art interactive device falls into the hands of a street urchin named Nell. Her life, and the entire future of humanity, is about to be decoded and reprogrammed.

Dane and Mandy, a popular magic act for 40 years, are tragically separated by a car wreck that claims Mandy’s life—or so everyone thinks. Even as Dane mourns and tries to rebuild his life without her, Mandy, supposedly dead, awakes in the present as the19-year-old she was in 1970.

Fraa Erasmus is a young avout living in the Concent of Saunt Edhar, a sanctuary for mathematicians, scientists, and philosophers, protected from the corrupting influences of the "Saecular" world by ancient stone, honored traditions, and complex rituals. Over the centuries, cities, and governments have risen and fallen beyond the concent's walls. Three times during history's darkest epochs, bloody violence born of superstition and ignorance has invaded and devastated the cloistered mathic community.

Esper may dress the part. She has her own ship. She even carries a blaster - not that she ever uses it. But she violates the cardinal rule of the galaxy’s most cold-blooded profession: get paid. At least she's not alone. Her partner, Kubu, is an alien who gets mistaken for a dog. One is a wizard on the run from her past. The other is a lovable eating machine. Between them, they haven’t got a ruthless bone in their bodies. But when a client hires them, they’ll do whatever it takes to bring a target home safely. This time, it’s a teenage kidnapping victim.

It is the distant future, and Baird is a loner, a part time spy, and a notorious alleged thief. “Notorious” for the audacity of her crimes; “alleged” because nobody has ever been able to legally prove she committed any of them. When the hush-hush agency known as the Toolbox recruits Baird, being a clandestine operative seems like a great way to get paid to do what she already does anyway. That is, until a mission goes wrong, and Baird is infected with a deadly virus.

Geoff and his friends live in Phocaea, a distant asteroid colony on the Solar System's frontier. They're your basic high-spirited young adults, enjoying such pastimes as hacking matter compilers to produce dancing skeletons that prance through the low-gee communal areas, using their rocket-bikes to salvage methane ice shrapnel that flies away when the colony brings in a big (and vital) rock of the stuff, and figuring out how to avoid the ubiquitous surveillance motes.

An amazing breakthrough in genetic engineering made by Vergil Ulam is considered too dangerous for further research, but rather than destroy his work, he injects himself with his creation and walks out of his lab, unaware of just how his actions will change the world.

Humankind has escaped a dying Earth and set out to find a new home among the stars aboard an immense generation ship affectionately named the Ark. Bryan Benson is the Ark's greatest living sports hero, enjoying retirement working as a detective in Avalon, his home module. The hours are good, the work is easy, and the perks can't be beat. But when a crew member goes missing, Bryan is thrust into the center of an ever-expanding web of deception, secrets, and violence.

For the Sake of the Game is the latest volume in the award-winning series from New York Times best-selling editors Laurie R. King and Leslie S. Klinger, with stories of Sherlock Holmes, Dr. Watson, and friends in a variety of eras and forms. King and Klinger have a simple formula: Ask some of the world's greatest writers-regardless of genre - to be inspired by the stories of Arthur Conan Doyle. The results are surprising and joyous.

Prolific novelist Stross pauses to collect short stories that have not (yet) been stitched up into his longer work. Stories that move the US - USSR conflict onto a massive disk in another galaxy (Locus Award-winner "Missile Gap"), offer a spam-filter solution to the Fermi paradox ("MAXOS"), and suggest clever bargains with the devil in a newly frozen Scotland ("Snowball's Chance") demonstrate Stross's ability to crisscross genres, blending SF, fantasy, horror, and espionage.

The best science fiction scrutinizes our culture and politics, examines the limits of the human condition, and zooms across galaxies at faster-than-light speeds, moving from the very near future to the far-flung worlds of tomorrow in the space of a single sentence. Neil Clarke has selected the short science fiction (and only science fiction) best representing the previous year's writing, showcasing the talent, variety, and awesome "sensawunda" that the genre has to offer.

Miriam Beckstein is happy in her life as a successful reporter. When she gets iron-clad evidence of a money-laundering scheme, Miriam thinks she's found the story of the year. But when she takes it to her editor, she's fired on the spot and gets a death threat from the criminals she's uncovered. Before the day is over, she's received a locket left by the mother she never knew - the mother who was murdered when she was an infant. The knotwork pattern within has a hypnotic effect on her.

Pools of blood, scenes of carnage, signs of agonising death - who deals with the aftermath of violence once the bodies have been taken away? Judith Kepler has seen it all. She is a crime-scene specialist. She turns crime scenes back into habitable spaces. She is a cleaner. It is at the home of a woman who has been brutally murdered that she is suddenly confronted with her own past. The murder victim knew Judith's secret: as a child Judith was sent to an orphanage under mysterious circumstances - parentage unknown.