Four original, unabridged, full-cast productions of Gail Carriger's most beloved fantasy short stories: "The Curious Case of the Werewolf That Wasn't, the Mummy That Was, and the Cat in the Jar": A mummified cat, a secret agent, and an aristocrat entangle Alessandro Tarraboti (father of Alexia Tarraboti from the Parasol Protectorate series) in a rollicking, wry adventure into the supernatural secrets of ancient Egypt.

Fourteen-year old Sophronia is the bane of her mother's existence. More interested in dismantling clocks and climbing trees than proper etiquette at tea - and god forbid anyone see her atrocious curtsy - Mrs. Temminnick is desperate her daughter become a proper lady. She enrolls Sophronia in Mademoiselle Geraldine's Finishing Academy for Young Ladies of Quality.

But little do Sophronia or her mother know that this is a school where ingenious young girls learn to finish all right - but it's a different kind of finishing.

Lady Preshea Villentia has four dead husbands and a nasty reputation. What society doesn't know is that all her husbands were marked for death by Preshea's employer. And Preshea has one final assignment. It was supposed to be easy, a house party with minimal bloodshed. Preshea hadn't anticipated Captain Gavin Ruthven - massive, Scottish, quietly irresistible, and...working for the enemy. In a battle of wits, Preshea may risk her own heart - a terrifying prospect, as she never knew she had one.

Imogene Hale is a lowly parlor maid with a soul-crushing secret. Seeking solace, she takes work at a local hive, only to fall desperately in love with the amazing lady inventor the vampires are keeping in the potting shed. Genevieve Lefoux is heartsick, lonely, and French. With culture, class, and the lady herself set against the match, can Imogene and her duster overcome all odds and win Genevieve's heart, or will the vampires suck both of them dry?

The monsters left Faith ruined in the eyes of society, so now they're her only option. Rejected by her family, Faith crosses the Atlantic, looking for a marriage of convenience and revenge. But things are done differently in London. Werewolves are civilized. At least they pretend to be. Americans: Backward heathens with no culture, Major Channing has never had time for any of them. But there's something special about Faith. Channing finds himself fighting to prove himself and defend his species. But this werewolf has good reason not to trust human women.

A species that has no word for murder, has a murderer aboard their spaceship. Alien. Tristol lives in exile. But he’s built a life for himself aboard a human space station. He’s even begun to understand the complex nuances of human courting rituals. Detective Hastion is finally flirting back! Murder. Except that Tristol’s beloved space station is unexpectedly contacted by the galoi - a xenophobic species with five genders, purple skin, and serious attitude. They need the help of a human detective because there’s a murderer aboard their spaceship.

Alex, marine biologist and werewolf, has seen better days. Unexpectedly alive, secretly gay, and haunted by a meddlesome, matchmaking ghost, he must now team up with very flirty mermen to save the city from sushi smugglers.

Hannah Miles navigates the etiquette of monster hunting through the parlours of a magical Regency England. This collection contains: Manners and Monsters, Galvanism and Ghouls, and Gossip and Gorgons.

In Jasper Fforde's Great Britain, circa 1985, time travel is routine, cloning is a reality (dodos are the resurrected pet of choice), and literature is taken very, very seriously. England is a virtual police state where an aunt can get lost (literally) in a Wordsworth poem and forging Byronic verse is a punishable offense. All this is business as usual for Thursday Next, renowned Special Operative in literary detection.

Librarian Sylvia Ashe knows nothing about her past, having grown up without a father and a mother who refused to discuss him. When she stumbles upon a diary that suggests she's descended from magicians, she's skeptical. After all, magicians are special, and she's just an ordinary woman who loves books. She seeks answers from a member of the most prominent family of magicians, but she quickly learns that finding the truth won't be easy, especially when he turns out to be as artless as her, and more compelling and dangerous than books.

Of all the things that could have landed in her yard, it had to be him. For most people, finding a half-naked superbeing in their yard might be a dream come true. Unfortunately for Gracie Castro, it’s the exact opposite. Especially when he’s grouchy, rude, and shows no signs of leaving anytime soon. But when a hero of mankind needs you, you do what you have to. Even if it compromises everything you know. And totally changes your life.

The world of Faerie never disappeared: it merely went into hiding, continuing to exist parallel to our own. Secrecy is the key to Faerie’s survival—but no secret can be kept forever, and when the fae and mortal worlds collide, changelings are born. Half-human, half-fae, outsiders from birth, these second-class children of Faerie spend their lives fighting for the respect of their immortal relations.

The orphaned Elsie Camden learned as a girl that there were two kinds of wizards in the world: those who pay for the power to cast spells and those, like her, born with the ability to break them. But as an unlicensed magic user, her gift is a crime. Commissioned by an underground group known as the Cowls, Elsie uses her spellbreaking to push back against the aristocrats and help the common man. Elite magic user Bacchus Kelsey is one elusive spell away from his mastership when he catches Elsie breaking an enchantment. To protect her secret, Elsie strikes a bargain.

Minerva Peabody needs a man. Unfortunately she picked the wrong one. The impoverished playwright has a dream to see her plays performed on stage, but in Elizabethan England, not only are women considered the inferior sex, they simply do not write plays. Faced with rejection after rejection, she decides to take one more chance with the most desperate theater manager in London, only this time she’ll use the cover of a man. Sucked in by a pair of bright blue eyes and impressive shoulders, she chooses Blake out of the crowd, never thinking he’ll actually play an active role in her ruse.

At the end of her first unsuccessful season out in society, Lady Georgiana has all but given up on attracting a suitable man - until she receives an invitation to a masked Halloween ball at Broxley Manor. Georgie is uncertain why she was invited, until she learns that the royal family intends to marry her off to a foreign prince, one reputed to be mad.