The newly-wed Anne Hastings faced her husband's wrath when her affair with William Compton was made public. Mary Tudor married to satisfy her brother's political need to ally with France, but when her decrepit royal husband died, she married the dashing Charles Brandon for love. William Parr, humiliated by his wife's extramarital affair, sought a divorce to marry the woman he loved.

In 1795, Catherine the Great of Russia was in search of a bride for her grandson Constantine, who stood third in line to her throne. In an eerie echo of her own story, Catherine selected an innocent young German princess, Julie of Saxe-Coburg, aunt of the future Queen Victoria. Though Julie had everything a young bride could wish for, she was alone in a court dominated by an aging empress and riven with rivalries, plotting, and gossip—not to mention her brute of a husband. She longed to leave Russia and her disastrous marriage, but her family in Germany refused to allow her to do so.

"The Duchess of York wished to have the portraits of the most beautiful women at Court," Anthony Hamilton wrote in the Memoirs of Count Grammont. "Lely painted them, and employed all his art in the execution. He could not have had more alluring sitters. Every portrait is a masterpiece." The original set of "Beauties" painted by Lely were, as we find from James II's catalogue, eleven in number, their names being Barbara, Duchess of Cleveland (née Villiers); Frances, Duchess of Richmond and Lennox (née Stuart); Mrs. Jane Myddleton (née Needham); Elizabeth, Countess of Northumberland (née ...

In the 1930s, amidst an impending crisis in Europe, Winston Churchill found himself out of government and with little power. In these years, Chartwell, his country home in Kent, became the headquarters of his campaign against Nazi Germany. He invited trusted advisors and informants, including Albert Einstein and T. E. Lawrence, who could strengthen his hand as he worked tirelessly to sound the alarm at the prospect of war.

Every Tudor Queen had ladies-in-waiting. They were her confidantes and her chaperones. Only the Queen's ladies had the right to enter her most private chambers, spending hours helping her to get dressed and undressed, caring for her clothes and jewels, listening to her secrets. But they also held a unique power. A quiet word behind the scenes, an appropriately timed gift, a well-negotiated marriage alliance were all forms of political agency wielded expertly by women.

Her royal birth gave her claim to the thrones of two nations; her marriage to the young French dauphin promised to place a third glorious crown on her noble head. Instead, Mary Stuart became the victim of her own impulsive heart, scandalizing her world with a foolish passion that would lead to abduction, rape, and even murder. Here is her story, a queen who lost a throne for love, a monarch pampered and adored even as she was led to her beheading, the unforgettable woman who became a legend for all time.

Shortly before dusk on November 3, 1870, just as the ferryboat El Capitan was pulling away from its slip into San Francisco Bay, a woman clad in black emerged from the shadows and strode across the crowded deck. Reaching under her veil, she drew a small pistol and aimed it directly at a well-dressed man sitting quietly with his wife and children. The woman fired a single bullet into his chest. “I did it and I don’t deny it,” she said when arrested shortly thereafter. “He ruined me and my daughter.”

The newly-wed Anne Hastings faced her husband's wrath when her affair with William Compton was made public. Mary Tudor married to satisfy her brother's political need to ally with France, but when her decrepit royal husband died, she married the dashing Charles Brandon for love. William Parr, humiliated by his wife's extramarital affair, sought a divorce to marry the woman he loved.

Mary Boleyn was the mistress of two kings, Francois I of France and Henry VIII of England, and sister to Anne Boleyn, Henry VIII’s second wife. In this astonishing and riveting biography, Alison Weir’s extensive research gives a new and detailed portrayal, in which she recounts that, contrary to popular belief, Mary was entirely undeserving of her posthumous notoriety as a great whore.

In the first full-scale biography of Mary Stuart in more than 30 years, John Guy creates an intimate and absorbing portrait of one of history's most famous women, depicting her world and her place in the sweep of history with stunning immediacy. Bringing together all surviving documents and uncovering a trove of new sources for the first time, Guy dispels the popular image of Mary Queen of Scots as a romantic leading lady - achieving her ends through feminine wiles - and establishes her as the intellectual and political equal of Elizabeth I.