Whether it's the fireflies of a Louisiana summer caught in a mason jar (doomed by their collection), or his grandmother, Mama Annie, who latches the screen door when someone steps out for just a moment, all that makes up our flickering precarious joy, all that we want to protect, is lifted into the light in this moving book. Stones becomes an ode to Young's home places and his dear departed, and to what of them - of us - poetry can save.

Felon tells the story of one man in fierce, dazzling poems - canvassing his wide range of emotions and experiences through homelessness, underemployment, love, drug abuse, domestic violence, fatherhood, and grace - and, in doing so, creates a travelogue for an imagined life. Reginald Dwayne Betts confronts the funk of post-incarceration existence and examines prison not as a static space, but as a force that enacts pressure throughout a person’s life. Challenging the complexities of language, Betts animates what it means to be a “felon”.

Like, that currency of social media, is a little word with infinite potential; it can be nearly any part of speech. Without it, there is no simile, that engine of the lyric poem, the lyre’s note in the epic. A poem can hardly exist otherwise. In this new collection, her most ambitious to date, A. E. Stallings continues her archaeology of the domestic, her odyssey through myth and motherhood in received and invented forms, from sonnets to syllabics. Stallings also eschews the poetry volume’s conventional sections for the arbitrary order of the alphabet.

Jericho Brown's daring book The Tradition details the normalization of evil and its history at the intersection of the past and the personal. Brown's poetic concerns are both broad and intimate, and at their very core a distillation of the incredibly human: What is safety? Who is this nation? Where does freedom truly lie? Brown makes mythical pastorals to question the terrors to which we've become accustomed, and to celebrate how we survive.

In Wade in the Water, Tracy K. Smith boldly ties America's contemporary moment both to our nation's fraught founding history and to a sense of the spirit, the everlasting. These are poems of sliding scale: some capture a flicker of song or memory; some collage an array of documents and voices; and some push past the known world into the haunted, the holy. Smith's signature voice - inquisitive, lyrical, and wry - turns over what it means to be a citizen, a mother, and an artist in a culture arbitrated by wealth, men, and violence.

Why we think it’s a great listen: Never before has an author’s narration of his fiction been so important to fully grasping the book’s impact and global implications. Taking us from Afghanistan in the final days of its monarchy to the present, The Kite Runner is the unforgettable story of the friendship between two boys growing up in Kabul. Their intertwined lives, and their fates, reflect the eventual tragedy of the world around them.

Blending stark realism with the surreal and fantastic, Eve L. Ewing's narrative takes us from the streets of 1990s Chicago to an unspecified future, deftly navigating the boundaries of space, time, and reality. Ewing imagines familiar figures in magical circumstances - blues legend Koko Taylor is a tall-tale hero; LeBron James travels through time and encounters his teenage self. She identifies everyday objects - hair moisturizer, a spiral notebook - as precious icons.

A biting satire about a young man's isolated upbringing and the race trial that sends him to the Supreme Court, Paul Beatty's The Sellout showcases a comic genius at the top of his game. It challenges the sacred tenets of the United States Constitution, urban life, the civil rights movement, the father-son relationship, and the holy grail of racial equality: the black Chinese restaurant.

From the award-winning, New York Times best-selling author of The Monsters of Templeton, Arcadia, Florida and Matrix, an exhilarating novel about marriage, creativity, art, and perception. Fates and Furies is a literary masterpiece that defies expectation. A dazzling examination of a marriage, it is also a portrait of creative partnership written by one of the best writers of her generation. Every story has two sides. Every relationship has two perspectives.

In his final days, beloved and ailing patriarch Miguel Angel de La Cruz, affectionately called Big Angel, has summoned his entire clan for one last legendary birthday party. But as the party approaches, his mother, nearly 100, dies herself, leading to a farewell doubleheader in a single weekend. Among the guests is Big Angel's half-brother, known as Little Angel, who must reckon with the truth that although he shares a father with his siblings, he has not, as a half gringo, shared a life. Across two bittersweet days in their San Diego neighborhood, the revelers mingle.

IRL is a sweaty summertime poem composed like a long text message, rooted in the epic tradition of A.R. Ammons, ancient Kumeyaay Bird Songs, and Beyoncé’s visual albums. It follows Teebs, a reservation-born, queer NDN weirdo, trying to figure out his impulses/desires/history in the midst of Brooklyn rooftops, privacy in the age of the Internet, street harassment, suicide, boys boys boys, literature, colonialism, religion, leaving one's 20s, and a love/hate relationship with English.

Following the success of her breakout poem, "B", Sarah Kay releases her debut collection of poetry featuring work from the first decade of her career. No Matter the Wreckage presents listeners with new and beloved poetry that showcases Kay's talent for celebrating family, love, travel, and unlikely romance between inanimate objects ("The Toothbrush to the Bicycle Tire"). Both fresh and wise, Kay's poetry allows listeners to join her on the journey of discovering herself and the world around her.

Rick Bragg closes his circle of family stories with an unforgettable tale about fathers and sons inspired by his own relationship with his 10-year-old stepson.

A rebellious boy's journey through the wilds of urban America and the shrapnel of a self-destructing family - this is the riveting story of a generation told through one dazzlingly poetic new voice. MK Asante was born in Zimbabwe to American parents: a mother who led the new nation's dance company and a father who would soon become a revered pioneer in Black studies. But things fell apart, and a decade later MK was in America, a teenager lost in a fog of drugs, sex, and violence on the streets of North Philadelphia.

Maggie Cassidy is one of Kerouac's most nostalgic recollections of his past, focusing on his first true love when he was a high school senior and a local star athlete. Filled with the sweet innocence of youth and the daily heartbreak of quarrels and unfulfilled sexual yearnings, Kerouac employs his stylishly Beat observations toward the bygone era of pre-World War II Lowell, Massachusetts, when he was torn between the companionship of his gang of buddies and the sirens' call of the opposite sex.