Virgil Flowers kicked around for a while before joining the Minnesota Bureau of Criminal Apprehension. First it was the army and the military police, then the police in St. Paul, and finally Lucas Davenport brought him into the BCA, promising him, "We'll only give you the hard stuff." He's been doing the hard stuff for three years now, but never anything like this.

In Washington, D.C., a cell phone rings. The White House chief of staff needs Jacob Winter now. His chief investigator and an Army Intelligence veteran, Winter knows how to move quickly and decisively, but he's never faced a problem like this. The disappearances are bad, but when the blackened body shows up barbed-wired to a tree, Winter knows there is much worse to come. And soon enough, there is. Large forces are at work, determined to do whatever it takes to achieve their ends.

For fans of The Martian, an extraordinary new thriller of the future from number one New York Times - best-selling and Pulitzer Priz - winning author John Sandford and internationally known photo-artist and science fiction aficionado Ctein. The year is 2066. A Caltech intern inadvertently notices an anomaly from a space telescope - something is approaching Saturn, and decelerating. Space objects don’t decelerate. Spaceships do.

Mickey Gibson, single mother and former detective, leads a hectic life similar to that of many moms: juggling the demands of her two small children with the tasks of her job working remotely for ProEye, a global investigation company that hunts down wealthy tax and credit cheats. When Mickey gets a call from a colleague named Arlene Robinson, she thinks nothing of Arlene’s unusual request for her to go inventory the vacant home of an arms dealer who cheated ProEye’s clients and fled.

Best-selling author John Sandford takes all the action and suspense of his acclaimed Prey novels and heads west to the dark gleam of L.A.- where the Night Crew works. A mobile unit of video freelancers, they prowl the midnight streets to sell to the highest network bidder. Murders. Robberies. High-speed chases. For them, it is an exhilerating life. But tonight, two deaths will change everything.

Haller is a Lincoln Lawyer, a criminal defense pro who operates out of the backseat of his Lincoln Town Car, to defend clients at the bottom of the legal food chain. It's no wonder that he is despised by cops, prosecutors, and even some of his own clients. But an investigator is murdered for getting too close to the truth and Haller quickly discovers that his search for innocence has taken him face to face with a kind of evil as pure as a flame.

Ex-military policeman Jack Reacher is a drifter. He’s just passing through Margrave, Georgia, and in less than an hour, he’s arrested for murder. Not much of a welcome. All Reacher knows is that he didn’t kill anybody. At least not here. Not lately. But he doesn’t stand a chance of convincing anyone. Not in Margrave, Georgia. Not a chance in hell.

For maverick LAPD homicide detective Harry Bosch, the body in the drainpipe at Mulholland Dam is more than another anonymous statistic. This one is personal...because the murdered man was a fellow Vietnam "tunnel rat" who had fought side by side with him in a hellish underground war. Now Bosch is about to relive the horror of Nam.

In the frigid pre-dawn hours, in a distressed Midwestern city, hundreds of desperate unemployed folks are lined up for a spot at a job fair. Without warning, a lone driver plows through the crowd in a stolen Mercedes, running over the innocent, backing up, and charging again. Eight people are killed; fifteen are wounded. The killer escapes. Mr. Mercedes is a war between good and evil, from the master of suspense whose insight into the mind of this obsessed, insane killer is chilling and unforgettable.

Dr. Morton Handler practiced a strange brand of psychiatry. Among his specialties were fraud, extortion, and sexual manipulation. Handler paid for his sins when he was brutally murdered in his luxurious Pacific Palisades apartment. The police have no leads, but they do have one possible witness: seven-year-old Melody Quinn.

Death is reporter Jack McEvoy's beat: his calling, his obsession. But this time, death brings McEvoy the story he never wanted to write - and the mystery he desperately needs to solve. A serial killer of unprecedented savagery and cunning is at large. His targets: homicide cops, each haunted by a murder case he couldn't crack. The killer's calling card: a quotation from the works of Edgar Allan Poe. His latest victim is McEvoy's own brother. And his last...may be McEvoy himself.

Told from four-year-old Laura's point of view, this story begins in 1871 in a little log cabin on the edge of the Big Woods of Wisconsin. Laura lives in the little house with her pa, her ma, her sisters Mary and Carrie, and their trusty dog, Jack. Pioneer life is sometimes hard for the family, since they must grow or catch all their own food as they get ready for the cold winter. But it is also exciting as Laura and her family celebrate Christmas with homemade toys and treats, do the spring planting, bring in the harvest, and make their first trip into town.

Three children, running in the woods behind their school, stumble upon a partially buried female body, eyes and mouth glued shut. Close behind the children is their teacher, Anne Navarre, shocked by this discovery and heartbroken as she witnesses the end of their innocence. What she doesn't yet realize is that this will mark the end of innocence for an entire community, as the ties that bind families and friends are tested by secrets uncovered in the wake of a serial killer's escalating activity.

Detective Jenna Murphy comes to the Hamptons to solve a murder - but what she finds is more deadly than she could ever imagine. No. 7 Ocean Drive is a gorgeous, multi-million-dollar beachfront estate in the Hamptons, where money and privilege know no bounds. But its beautiful gothic exterior hides a horrific past: It was the scene of a series of depraved killings that have never been solved. Neglected, empty, and rumored to be cursed, it's known as the Murder House, and locals keep their distance.

In the Nevada desert, an experiment has gone horribly wrong. A cloud of nanoparticles (micro-robots) has escaped from the laboratory. This cloud is self-sustaining and self-reproducing. It is intelligent and learns from experience. For all practical purposes, it is alive. It has been programmed as a predator. It is evolving swiftly, becoming more deadly with each passing hour. Every attempt to destroy it has failed. And we are the prey.

Virgil Flowers kicked around for a while before joining the Minnesota Bureau of Criminal Apprehension. First it was the army and the military police, then the police in St. Paul, and finally Lucas Davenport brought him into the BCA, promising him, "We'll only give you the hard stuff." He's been doing the hard stuff for three years now, but never anything like this.

In Washington, D.C., a cell phone rings. The White House chief of staff needs Jacob Winter now. His chief investigator and an Army Intelligence veteran, Winter knows how to move quickly and decisively, but he's never faced a problem like this. The disappearances are bad, but when the blackened body shows up barbed-wired to a tree, Winter knows there is much worse to come. And soon enough, there is. Large forces are at work, determined to do whatever it takes to achieve their ends.

Best-selling author John Sandford takes all the action and suspense of his acclaimed Prey novels and heads west to the dark gleam of L.A.- where the Night Crew works. A mobile unit of video freelancers, they prowl the midnight streets to sell to the highest network bidder. Murders. Robberies. High-speed chases. For them, it is an exhilerating life. But tonight, two deaths will change everything.

For fans of The Martian, an extraordinary new thriller of the future from number one New York Times - best-selling and Pulitzer Priz - winning author John Sandford and internationally known photo-artist and science fiction aficionado Ctein. The year is 2066. A Caltech intern inadvertently notices an anomaly from a space telescope - something is approaching Saturn, and decelerating. Space objects don’t decelerate. Spaceships do.

Shay Remby arrives in Hollywood with $58 and a handmade knife, searching for her brother, Odin. Odin’s a brilliant hacker but a bit of a loose cannon. He and a group of radical animal-rights activists hit a Singular Corp. research lab in Eugene, Oregon. The raid was a disaster, but Odin escaped with a set of highly encrypted flash drives and a post-surgical dog. When Shay gets a frantic 3 a.m. phone call from Odin - talking about evidence of unspeakable experiments, and a ruthless corporation, and how he must hide - she’s concerned.