
Babel
Or the Necessity of Violence: An Arcane History of the Oxford Translators' Revolution
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Narrated by:
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Chris Lew Kum Hoi
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Billie Fulford-Brown
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By:
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R. F. Kuang
About this listen
From award-winning author R. F. Kuang comes Babel, a thematic response to The Secret History and a tonal retort to Jonathan Strange & Mr. Norrell that grapples with student revolutions, colonial resistance, and the use of language and translation as the dominating tool of the British empire.
Traduttore, traditore: An act of translation is always an act of betrayal.
1828. Robin Swift, orphaned by cholera in Canton, is brought to London by the mysterious Professor Lovell. There, he trains for years in Latin, Ancient Greek, and Chinese, all in preparation for the day he’ll enroll in Oxford University’s prestigious Royal Institute of Translation—also known as Babel.
Babel is the world's center for translation and, more importantly, magic. Silver working—the art of manifesting the meaning lost in translation using enchanted silver bars—has made the British unparalleled in power, as its knowledge serves the Empire’s quest for colonization.
For Robin, Oxford is a utopia dedicated to the pursuit of knowledge. But knowledge obeys power, and as a Chinese boy raised in Britain, Robin realizes serving Babel means betraying his motherland. As his studies progress, Robin finds himself caught between Babel and the shadowy Hermes Society, an organization dedicated to stopping imperial expansion. When Britain pursues an unjust war with China over silver and opium, Robin must decide…
Can powerful institutions be changed from within, or does revolution always require violence?
Supplemental enhancement PDF accompanies the audiobook.
PLEASE NOTE: When you purchase this title, the accompanying PDF will be available in your Audible Library along with the audio.
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Story
Piranesi lives in the House. Perhaps he always has. In his notebooks, day after day, he makes a clear and careful record of its wonders: the labyrinth of halls, the thousands upon thousands of statues, the tides that thunder up staircases, the clouds that move in slow procession through the upper halls. On Tuesdays and Fridays Piranesi sees his friend, the Other. At other times he brings tributes of food to the Dead. But mostly, he is alone.
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Fascinating Social Study
- By Henry V on 02-26-21
By: Susanna Clarke
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The Best American Science Fiction and Fantasy 2023
- By: R. F. Kuang, John Joseph Adams
- Narrated by: Will Tulin, Chanté McCormick, Em Grosland, and others
- Length: 12 hrs and 48 mins
- Unabridged
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“Short stories have to accomplish a nearly impossible magic trick: to introduce a world often much stranger than our own and make you care about it in a matter of pages,” writes R. F. Kuang in her introduction. “The most important part of this magic trick is just a willingness to get weird.” The stories in The Best American Science Fiction and Fantasy 2023 are brimming with bizarre and otherworldly premises.
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Strange mixed bag
- By Pie S. on 10-28-23
By: R. F. Kuang, and others
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Twice Cursed
- An Anthology
- By: Joe Hill, Joanne Harris, Paul Kane, and others
- Narrated by: Melanie Crawley, Antonia Beamish, Mark Peachey
- Length: 9 hrs and 49 mins
- Unabridged
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Take a trip to a terrifying carnival and uncover the secrets within, solve a mysterious puzzle box and await your reward, join a travelling circus and witness the strangest ventriloquist act you've ever seen. In this follow-up to the bestselling Cursed: An Anthology, you'll unearth curses old and new. From a very different take on Snow White, to a new interpretation of The Red Shoes, the best in fantasy spin straw into gold, and invite you into the labyrinth.
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cursed stories not retold tales
- By Cathrine Bonham on 04-24-24
By: Joe Hill, and others
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The Will of the Many
- Hierarchy, Book 1
- By: James Islington
- Narrated by: Euan Morton
- Length: 28 hrs and 14 mins
- Unabridged
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The Catenan Republic—the Hierarchy—may rule the world now, but they do not know everything. I tell them my name is Vis Telimus. I tell them I was orphaned after a tragic accident three years ago, and that good fortune alone has led to my acceptance into their most prestigious school. I tell them that once I graduate, I will gladly join the rest of civilized society in allowing my strength, my drive, and my focus—what they call Will—to be leeched away and added to the power of those above me, as millions already do. As all must eventually do.
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I don’t know what the other reviews are on about
- By Chase on 06-24-23
By: James Islington
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The Chemist
- By: Stephenie Meyer
- Narrated by: Ellen Archer
- Length: 17 hrs and 1 min
- Unabridged
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She used to work for the US government, but very few people ever knew that. An expert in her field, she was one of the darkest secrets of an agency so clandestine it doesn't even have a name. And when they decided she was a liability, they came for her without warning. Now she rarely stays in the same place or uses the same name for long. They've killed the only other person she trusted, but something she knows still poses a threat. They want her dead, and soon.
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Listened all night!
- By bebe on 06-04-17
By: Stephenie Meyer
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Circe
- By: Madeline Miller
- Narrated by: Perdita Weeks
- Length: 12 hrs and 8 mins
- Unabridged
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In the house of Helios, god of the sun and mightiest of the Titans, a daughter is born. But Circe is a strange child—not powerful, like her father, nor viciously alluring like her mother. Turning to the world of mortals for companionship, she discovers that she does possess power—the power of witchcraft, which can transform rivals into monsters and menace the gods themselves.
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Refined writing with an intimate performance
- By Michael - Audible Editor on 04-11-18
By: Madeline Miller
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The Sword of Kaigen: A Theonite War Story
- By: M. L. Wang
- Narrated by: Andrew Tell
- Length: 24 hrs and 24 mins
- Unabridged
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On a mountainside at the edge of the Kaigenese Empire live the most powerful warriors in the world, superhumans capable of raising the sea and wielding blades of ice. For hundreds of years, the fighters of the Kusanagi Peninsula have held the Empire's enemies at bay, earning their frozen spit of land the name "The Sword of Kaigen". Born into Kusanagi's legendary Matsuda family, f14-year-old Mamoru has always known his purpose: To master his family's fighting techniques and defend his homeland.
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OH. MY. GODS! Holy emotional epicness!
- By Kevin Potter on 09-03-20
By: M. L. Wang
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The Book of Doors
- A Novel
- By: Gareth Brown
- Narrated by: Miranda Raison
- Length: 13 hrs and 16 mins
- Unabridged
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Cassie Andrews works in a New York City bookshop, shelving books, making coffee for customers, and living an unassuming, ordinary life. Until the day one of her favorite customers—a lonely yet charming old man—dies right in front of her. Cassie is devastated. She always loved his stories, and now she has nothing to remember him by. Nothing but the last book he was reading. But this is no ordinary book… It is the Book of Doors. Inscribed with enigmatic words and mysterious drawings, it promises Cassie that any door is every door. You just need to know how to open them.
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So good! I see a series!
- By Smith on 03-11-24
By: Gareth Brown
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Ink Blood Sister Scribe
- A Novel
- By: Emma Törzs
- Narrated by: Saskia Maarleveld
- Length: 13 hrs and 53 mins
- Unabridged
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All magic comes with a price, though, and for years the sisters have been separated. Esther has fled to a remote base in Antarctica to escape the fate that killed her own mother, and Joanna’s isolated herself in their family home in Vermont, devoting her life to the study of these cherished volumes. But after their father dies suddenly while reading a book Joanna has never seen before, the sisters must reunite to preserve their family legacy.
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The most difficult audiobook I've ever listened 2
- By John on 06-04-23
By: Emma Törzs
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Dragon Teeth
- A Novel
- By: Michael Crichton
- Narrated by: Scott Brick, Sherri Crichton
- Length: 7 hrs and 40 mins
- Unabridged
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The year is 1876. Warring Indian tribes still populate America's western territories, even as lawless gold-rush towns begin to mark the landscape. In much of the country, it is still illegal to espouse evolution. Against this backdrop two monomaniacal paleontologists pillage the Wild West, hunting for dinosaur fossils while surveilling, deceiving, and sabotaging each other in a rivalry that will come to be known as the Bone Wars.
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Exceptional Surprise!
- By Roman on 06-05-17
By: Michael Crichton
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Day Zero
- A Novel
- By: C. Robert Cargill
- Narrated by: Vikas Adam
- Length: 8 hrs and 32 mins
- Unabridged
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It was a day like any other. Except it was our last.... It’s on this day that Pounce discovers that he is, in fact, disposable. Pounce, a styilsh "nannybot" fashioned in the shape of a plush anthropomorphic tiger, has just found a box in the attic. His box. The box he'd arrived in when he was purchased years earlier, and the box in which he'll be discarded when his human charge, eight-year-old Ezra Reinhart, no longer needs a nanny. As Pounce ponders his suddenly uncertain future, the pieces are falling into place for a robot revolution that will eradicate humankind.
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Calvin and AI Hobbs
- By Michael G Kurilla on 06-13-21
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Muse of Nightmares
- By: Laini Taylor
- Narrated by: Steve West
- Length: 15 hrs and 54 mins
- Unabridged
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In the wake of tragedy, neither Lazlo nor Sarai are who they were before. One a god, the other a ghost, they struggle to grasp the new boundaries of their selves as dark-minded Minya holds them hostage, intent on vengeance against Weep. Lazlo faces an unthinkable choice—save the woman he loves, or everyone else?—while Sarai feels more helpless than ever. But is she? Sometimes, only the direst need can teach us our own depths, and Sarai, the muse of nightmares, has not yet discovered what she's capable of.
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Terrible over the top teen trash
- By Brian Beisel on 03-19-19
By: Laini Taylor
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- Alex Levine
- 09-01-22
Between Allegory and Alternate History - 這也是翻譯
I infer from the preface that the author has recently had the experience of being an Asian-American sojourning in Oxford. It's clear the experience left its mark on her and on this story. The novel is excellent, though difficult for me to review without tossing in coy spoilers on how it ends. I'll restrain myself and say simply that as a student of the relevant history, I found the ending completely appropriate.
For centuries China had a global trade surplus--both in our timeline and in that of this alternate history, which closely parallels our own. This was probably the case even when the volume of global trade was constrained by the capacity of the silk road, but in the Early Modern Era, beginning with Portuguese sea trade in the Pacific, it began to grow exponentially. In an era when all transactions were still conducted in precious metals, the economic consequences of this surplus were difficult to understand, let alone predict. Philip II of Spain, his coffers bursting with the loot of the New World, had trouble grasping the difficulty he encountered outfitting his famous naval expedition of 1588. Without realizing it, he had discovered inflation. Money can seem so concrete when payments are made in weight-increments of silver or gold. In fact it is anything but. Money is abstract, and like those of many abstractions its ebbs and flows can seem like magic. Perhaps they ARE magic.
Spain's treasury did not remain full for long. All of that silver circulated throughout expanding markets, and in coming centuries a succession of very smart people with a range of different motives came to understand and exploit some of the underlying magical principles governing its circulation. One of these people, mentioned perhaps only once or twice in passing in Kuang's novel since he belonged to an earlier era, was the greatest physicist of his day and perhaps the greatest alchemist of all time, Isaac Newton. For the last three decades of his life Newton was Master of the Royal Mint, and in that capacity he worked magic by manipulating the conversion--or translation--between silver and gold to his own nation's advantage. He helped jump-start Britain's imperial and colonial expansion. This economic alchemy or magic was very real in our own timeline, and though it is not discussed in this book (though it plays an important role in Neal Stephenson's "Baroque Cycle"), it may be assumed to have set the stage for its events, which take place in the third and fourth decades of the nineteenth century.
Newton's efforts notwithstanding, the Chinese global trade surplus meant that the West's silver, including that of Britain, continued to drain into China at an alarming rate, funding the importation of silks, tea, porcelain, lacquerware, and other such goods. By the beginning of the nineteenth century, Britain's lords and magnates were wise to the problem. Their solution--again, in our own timeline as in that of this book--was to foist the opium trade on China, first by offering a lucrative product in sufficient quantity to produce a class of addicts willing and able to pay vast sums to obtain it it, and then, when authorities attempted to suppress the trade, at gunpoint. Thus did they engineer the First Opium War.
This much is simply widely accepted history. What Kuang does with this history could be described either as a fantasy subgenre of alternate history fiction, or as an allegory for colonial oppression. If I describe it as both, and hold both descriptions in my head simultaneously, I am ready to perform the kind of mental manipulation Kuang's Oxford scholars are trained in. 這也是翻譯--this too is translation. Allegorically, within the Tower of Babel of Kuang's Oxford, the manipulation is inscribed in silver, becoming or expressing a kind of magic.
I confess I'm enamored of this magic, in part because I, too, am a translator, working in several languages over the past four decades. No doubt Kuang's Oxfordians would dismiss much of my skill as that of a mere "natural polyglot," but I had to work hard for it, too. As a real-life translator, I will let you in on a secret: translation IS magic, and it only becomes more potent as people progressively forget that we exist at all, mediating their reading and their conversation. The greatest magic trick of the translator is to make themselves disappear. We all know that knowledge is power. Are we so confident we can always spot the most knowledgable?
In this review I've worn my own background and interests on my sleeve, and consequently what I've written is pretty dry. Kuang's novel is anything but. My review doesn't even touch on the characters and their wholly believable personal and historical struggles, all of which are absolutely engrossing. I am reminded of Arkady Martine's award-winning "A Memory of Empire" and its sequel, "A Desolation Called Peace," with which this book incidentally shares a very apt epigraph from Tacitus. I am not a huge fan of the audio production. The primary narrator does a good job with character voices, but there is a secondary narrator (perhaps for passages appearing as footnotes in the print edition?). The sound editing is uneven, and the Mandarin voicing of Chinese phrases and passages inconsistent, making some of them difficult to understand. At a guess, neither narrator is a native speaker. However, this will bother only those listeners with knowledge of Chinese.
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34 people found this helpful
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- Anonymous User
- 08-28-22
fabula sine simili est
An absolute thrill, beginning to end. I loved the characters, world building, themes, and magic system. The philosophies and debates and perspectives were thrilling to ponder. I felt like I learned and grew with the protagonist, and the mechanics had me yearning to study language and play with the possibilities.
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16 people found this helpful
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- Trevor Casperson
- 01-07-23
Great story marred by insecurity
I found the story and performance to be very enjoyable. Unfortunately, I was often distracted from the story by the footnotes that insisted on telling me things I either already knew or didn’t care to know about. It felt as if the author didn’t trust her readers to get her point through the story she told, and had to spell things out.
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4 people found this helpful
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- Travis Franklin
- 01-11-23
Couldn’t get into it
Spent the majority of the book trying to get involved in the story, but was never pulled in at any point. The premise sounded so interesting, but was let down. Glad some liked it, I stopped listening with about 5 hours left.
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3 people found this helpful
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- Happy in Boston
- 01-13-23
Heavy Handed
Wholly lacking in believable characters. The characters feel like puppets inexpertly wielded in service of plot, without minds of their own, or even believable motivations for their actions.
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3 people found this helpful
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- Kindle Customer
- 12-31-22
A Story with Conflicted Motivations
The “magic” mechanism in this story relies on the concept of “lost in translation” that occurs over the etymological evolution of words across languages. Engrave the word in one language on one side of a silver bar, then engrave the etymological counterpart in a different language on the other side - and the bar will manifest what was “lost in translation” between the two after the words are spoken by someone with a true grasp of the words.
This is, in my opinion, a sophisticated enough mechanism to be intriguing, and one that could have been a clever tool for making social commentary, especially, if deftly to a previous time period.
RF Kuang tried but I found the effort leaving something greatly desired.
When I compare this effort, for example, to Twain’s “A Connecticut Yankee in King Arthur’s Court”, it is not nearly as effective, primarily because the main motivation for Twain was clearly to satire and critique both the period to which his character “time travels” (medieval) as well as the period from which the protagonist traveled (late 19th century).
I think if RF Kuang had written with the same clear purpose and leaned into the effort, but with a more deft hand, this novel would have been a classic.
However, there is nothing light about her touch on social commentary.
Where Twain used expert comedic satire to draw a reader to take his own conclusions, Kuang attempts to use shock (at the tragedy that befalls the characters) and awe (at her complex and clear subject matter expertise over language and etymology) to bludgeon the reader into her’s - and her conclusions are neither original nor revelatory to anyone with an internet connection. I don’t know if Twain’s were in his time or not, however, even if his were as equally regurgitated as Kuang’s are here, he at least presented them with all the skill of an expert comedian and storyteller. Kuang’s effort seems very amateurish by comparison, which is understandable because she is both early in her career and may not be the type of generational talent that Twain was in the first place.
I think it’d be really interesting if Kuang were to rewrite this 30 years from now, as an older, more experienced author who has been removed from the universe of academia for a while.
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3 people found this helpful
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- Emily Wang
- 04-21-23
Performance good, book is mediocre
Too long, characters don’t make that much sense. It’s a creative concept but she’s quite heavy handed with the social commentary and I didn’t connect to anybody.
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- Sally
- 11-26-22
written by a master
A thoughtful exploration of colonialism and the nature of human beings through a real scholars masterful lens.
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- Maria
- 12-02-22
Such a dazzling strange story
Been a moment since I read a book of such force and dark matter. Unforgettable
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- p.k.matt
- 01-08-23
Utter brilliance!
I can’t rave enough about how amazing & all consuming this book is, I can only hope there is a sequel to read! This book is brilliantly written & so intricate. The inter working so connected that I’m sure if I read it 2 more times I would pick up on more that I didn’t catch the first go. I may just reread it again today.
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