Published in 1820 and written by the Protestant curate Charles Maturin, Melmoth the Wanderer is considered one of the greatest works of Gothic literature. Consisting of a series of stories within stories, the narrative features the scholar John Melmoth, condemned to wander the earth in search of a victim to take his place and free him from his eternal torment.

Life in an English seaside town in the 1790s is harsh, and ‘captious, capricious’ Sylvia has a dilemma when the dashing harpooner to whom she is secretly engaged disappears, and her dull cousin Philip (who has more information about his rival than he lets on) offers her love and security.

George Babbitt has it all: a successful real estate job, a shiny car, a modern house equipped with all the latest technology, and a devoted wife and three children. However, underneath his public persona, he’s beginning to feel that something is missing, and when a tragic incident occurs Babbitt revolts against his hollow life. Can he overthrow everything he values, or will he remain trapped in the machinery of modern life?

With all the narrative power and intellectual authority that have distinguished his earlier books, V.S. Naipaul explores the life, the culture, the ferment inside the nations of Islam–in a book that combines the fascinations of great travel literature with the insights of a uniquely sharp, original and idiosyncratic political mind.

In the comfortable English Dorsetshire village of Anneypenny in the 1930s, fruit farmer Douglas Sewell–narrator of the story–sees his friend John die in agony. The death certificate states gastric ulcers but the post mortem’s revealing of poison punctures Anneypenny’s idyllic backdrop. Soon every friend and neighbour seems to harbour something suspicious. Douglas challenges his readers, or listeners, to answer the key questions before throwing out several scenarios and turning them upside-down in a tantalising path to the truth.