Librarian Martha Storm has always found it easier to connect with books than people—though not for lack of trying. She keeps careful lists of how to help others in her superhero-themed notebook. And yet, sometimes it feels like she’s invisible. All of that changes when a book of fairy tales arrives on her doorstep. Inside, Martha finds a dedication written by her best friend—her grandmother Zelda—who died under mysterious circumstances years ago. When Martha discovers a clue within the book that her grandmother may still be alive, she becomes determined to discover the truth.

Fifteen-year-old Ellie Mack was the perfect daughter. She was beloved by her parents, friends, and teachers. She and her boyfriend made a teenage golden couple. She was days away from an idyllic summer vacation, with her whole life ahead of her. And then she was gone. Now her mother, Laurel Mack, is trying to put her life back together.

Sixty-nine-year-old Arthur Pepper lives a simple life. He gets out of bed at precisely 7:30 a.m., just as he did when his wife, Miriam, was alive. He dresses in the same gray slacks and mustard sweater-vest; waters his fern, Frederica; and heads out to his garden. But on the one-year anniversary of Miriam's death, something changes. Sorting through Miriam's possessions, Arthur finds an exquisite gold charm bracelet he's never seen before.

Our narrator should be happy, shouldn't she? She's young, thin, pretty, a recent Columbia graduate; she works an easy job at a hip art gallery and lives in an apartment on the Upper East Side of Manhattan paid for, like the rest of her needs, by her inheritance. But there is a dark and vacuous hole in her heart, and it isn't just the loss of her parents, or the way her Wall Street boyfriend treats her, or her sadomasochistic relationship with her best friend, Reva. It's the year 2000 in a city aglitter with wealth and possibility; what could be so terribly wrong?

Lyn, Cat, and Gemma Kettle, beautiful 33-year-old triplets, seem to attract attention everywhere they go. Together, laughter, drama, and mayhem follow them, but apart, each is dealing with her own share of ups and downs. Lyn has organized her life into one big checklist, Cat has just learned a startling secret about her marriage, and Gemma, who bolts every time a relationship hits the six-month mark, holds out hope for lasting love.

It’s 2013, and Circus Palmer, a 40-year-old Boston-based trumpet player and old-school ladies’ man, lives for his music and refuses to be tied down. Before a gig in Miami, he learns that the woman who is secretly closest to his heart, the free-spirited drummer Maggie, is pregnant by him.

In this “outstanding debut thriller” (Booklist, starred review), Helen’s idyllic life—handsome architect husband, gorgeous Victorian house, and cherished baby on the way—begins to change the day she attends her first prenatal class. There, she meets Rachel, an unpredictable single mother-to-be who doesn’t seem very maternal: she smokes, drinks, and professes little interest in parenthood.

There's something eerily unsettling about Ottessa Moshfegh's stories, something almost dangerous, while also being delightful and even laugh-out-loud funny. Her characters are all unsteady on their feet in one way or another; they all yearn for connection and betterment, though each in very different ways, but they are often tripped up by their own baser impulses and existential insecurities.

Diane McKinney-Whetstone, the award-winning and best-selling author of Tumbling, presents Trading Dreams at Midnight - - an Essence Book Club Recommended Read. Back in 1984, 15-year-old Neena's mother left and never came back. And now Neena is following in her footsteps.

When accident-prone Helen Grey finds a thong stuffed into the pocket of her boyfriend's best work trousers, it's time for her to move on. His excuse that he needed to dust the photocopier and just thought that it was a rag sounds like a lame excuse. Helen's life is propelled in an unexpected direction after her best friend, Ayshe, sets her a fourteen-day, life-changing challenge. Helen receives a task everyday which she must complete without question.

When we meet septuagenarian Margaret Hughes, she is living alone in a mansion in Seattle with only a massive collection of valuable antiques for company. Enter Wanda Schultz, a young woman with a broken heart who has come to Seattle to search for her wayward boyfriend. Both women are guarding dark secrets and have spent many years building up protective armor against the outside world.

Emma has a job in television which is distinctly less glamourous and exciting than it sounds. She's managed to claw her way up the ranks from Tea Maker and Rubbish Collector to Second Assistant Director (heavy on the assistant. Even heavier on the second.). So when she finds she's accidentally very pregnant and at the same time accidentally very sacked (well, less accidentally: she did tell her boss to stick his job up his bum), she knows things are going to have to change.

When 36-year-old Sophie Stanton's husband dies, she desperately wants to be a graceful, composed Jackie Kennedy kind of widow. Alas, Sophie is more of a Jack Daniels kind. Adding her job and her waistline to her list of things lost, she moves from L.A. to Oregon, prepared to defy the dismal weather and be rescued by Sam Shepard's twin. Instead, she finds a job as Salad Girl at the local French restaurant and an alarmingly cute actor who Sophie wished she didn't quite trust so much.

It all starts on New Year's Eve. A night that has to be a success, whatever the cost. For Joni and her friends, it'll be a party that promises all the high stakes and glamour of any other, but by sunrise, they'll be dealing with something darker than the usual post-party comedown. Not that they let this stand in their way. For this is their year to revel in all that the playground of London has to offer: sneaking into places they shouldn't, breaking every rule, falling in love with the wrong people. All the while avoiding one undeniable truth: it's not if the party ends, it's how.

Marisa and Jake are a perfect couple. And Kate, their new lodger, is the perfect roommate—and not just because her rent payments will give them the income they need to start trying for the baby of their dreams. Except—no one is truly perfect. Sure, Kate doesn’t seem to care much about personal boundaries and can occasionally seem overly familiar with Jake. But Marisa doesn’t let it concern her, knowing that soon Kate will be gone, and it will just be her, Jake, and their future baby.