Ten years ago, legendary author Riley Cannon produced three of the best-selling thriller novels of all-time. Then, she vanished, leaving the final three books of the saga unfinished and producing the biggest mystery in the history of publishing. Now, a decade later, there is word from her mega-agent, the glamorous and powerful Topaz Kennedy, that a new Cannon novel is all-but-finished. But, Topaz knows the truth: Riley Cannon hasn’t even started the book. With the clock counting down to the publication date, desperate measures are needed.

The double murder of a married couple in a small Washington town draws FBI forensic linguist Raisa Susanto into an investigation that mirrors a decades-old crime. Twenty-five years ago—to the day—Alex Parker murdered his parents, then took his own life, leaving behind a note admitting everything. Raisa, paired with forensic psychologist Callum Kilkenny, uses her skills to read between the lines. Especially now that paranoid postings on a conspiracy thread suggest that Alex was a victim himself.

Dorothy Graham is dead, which is inconvenient, not least for her. Luckily, she has planned for this eventuality. Now, if any of the truly dreadful people she is related to want to get their hands on her money, they’re going to have to do so via a fiendish difficult and frankly bizarre competition of Dorothy’s devising. After all, just because you’re dead, it doesn’t mean you can’t enjoy a last laugh at the expense of people who made your life miserable.

East House is the oldest and least desirable dorm on campus, but it has a draw for lonely university freshman Aleeza Kassam: Jay Hoque, the hot and broody student who vanished from East House five months ago without a trace. It’s irresistible to an aspiring investigative journalist like Aleeza. But when she starts receiving texts from Jay, the mystery takes an unexpected turn. To put it mildly.

Stay-at-home mom Eloise Williams is PTO president and a respected local philanthropist who sits on the boards of many distinguished charities. In addition to being a doting wife and mother, she is also a serial killer.

Everything is going to be perfect. Greyson comes home from deployment to live the life she and her husband Caden dreamed of. He has a surgical residency, and she has a psychiatric practice in the basement of their Manhattan brownstone. Caden loves his wife more than he can measure. But he starts hearing whispers. Someone else loves her. Someone else wants her. There's someone else, and though whoever's behind the whispers will move mountains to have her, Caden will move heaven and earth to keep her.

For decades, Nick Burns has been haunted by a decision he made as a young soldier in World War I, when a French artist he’d befriended thrust both her paintings and her baby into his hands—and disappeared. In 1974, with only months left to live, Nick enlists Jenny, a college dropout desperate for adventure, to help him unravel the mystery. The journey leads them from Paris galleries and provincial towns to a surprising place: the Museum of Tears, the life’s work of a lonely Italian craftsman.

Powerless witch Saika is ready to enact her sister's final request: to plant her remains at the famed Ash Gardens. When Saika arrives at the always-stormy sanctuary, she is welcomed by its owner, an enormous, knit-cardiganed mythical beast named Frank, who offers her a role as one of the estate's caretakers. Overcome with grief, Saika accepts, desperate to put off her final farewell to her sister. But the work requires a witch with intrinsic power, and Saika's been disconnected from her magic since her sister's death two years prior.

On a cold winter’s evening in 1987, six middle-school paperboys wander an unfamiliar Milwaukee neighborhood, selling newspaper subscriptions, fueled by their manager Kevin’s promises of cash bonuses and dinner at Burger King. But the freaks come out at night in Hampton Heights. Sent out into the neighborhood in pairs, the boys will encounter a host of primordial monsters—and triumph over them.

Things are going well for Jane Murphy, or so it seems. She’s making it in New York, a sort of wunderkind at the social media marketing startup where she works. She’s put an experimental writer, Jeremy Miller, on the map by helping him concoct a viral internet novel, told in fragments through various fake social media accounts. But privately, Jane feels trapped, ruled by her routines and her compulsions, caught up in an endless cycle of soothing and punishing herself.

In September of 1892, Oscar Wilde and his family retreated to the idyllic Norfolk countryside for a holiday. His wife, Constance, has every reason to be happy: two beautiful sons, a stellar reputation as an advocate for progressive causes, and a delightfully charming and affectionate husband and father, who is perhaps the most famous man in England. But as an assortment of houseguests arrive, including an aristocratic young wannabe poet named Lord Alfred Douglas, Constance gradually—and then all at once—comes to see that her husband's heart is elsewhere.

Kembral Thorne has a few hours away from her newborn, and she’s determined to enjoy herself at the year-turning ball. But when guests start dropping dead, she can’t help sniffing out trouble—she’s a Hound, after all. Especially when her professional and personal nemesis, notorious burglar Rika Nonesuch, is also on the prowl. Everyone knows you shouldn’t get involved with Echo games. Let alone one involving ancient Echo lords who can turn layers of reality into a gameboard with human lives for pieces. But as the ballroom grows stranger and more otherworldly, it’s clearly too late.

In London, twenty-six-year-old Venetia Stanley—aristocratic, clever, bored, reckless—is part of a fast group of upper-crust bohemians and socialites known as “The Coterie.” She’s also engaged in a clandestine love affair with the Prime Minister, H. H. Asquith, a man more than twice her age. He writes to her obsessively, sharing the most sensitive matters of state.

Jocasta is just fifteen when she is told that she must marry the King of Thebes, an old man she has never met. Her life has never been her own, and nor will it be, unless she outlives her strange, absent husband. Ismene is the same age when she is attacked in the palace she calls home. Since the day of her parents' tragic deaths a decade earlier, she has always longed to feel safe with the family she still has. But with a single act of violence, all that is about to change. With the turn of these two events, a tragedy is set in motion. But not as we’ve known it.

In December 1926, Agatha Christie goes missing. Investigators find her empty car on the edge of a deep, gloomy pond, the only clues some tire tracks nearby and a fur coat left in the car - strange for a frigid night. Her World War I veteran husband and her daughter have no knowledge of her whereabouts, and England unleashes an unprecedented manhunt to find the up-and-coming mystery author. Eleven days later, she reappears, just as mysteriously as she disappeared, claiming amnesia and providing no explanations for her time away.

Powerless witch Saika is ready to enact her sister's final request: to plant her remains at the famed Ash Gardens. When Saika arrives at the always-stormy sanctuary, she is welcomed by its owner, an enormous, knit-cardiganed mythical beast named Frank, who offers her a role as one of the estate's caretakers. Overcome with grief, Saika accepts, desperate to put off her final farewell to her sister. But the work requires a witch with intrinsic power, and Saika's been disconnected from her magic since her sister's death two years prior.

East House is the oldest and least desirable dorm on campus, but it has a draw for lonely university freshman Aleeza Kassam: Jay Hoque, the hot and broody student who vanished from East House five months ago without a trace. It’s irresistible to an aspiring investigative journalist like Aleeza. But when she starts receiving texts from Jay, the mystery takes an unexpected turn. To put it mildly.

In 2011, three successful and highly educated women fell head over heels for the brilliant and charming Ethan Schuman. Unbeknownst to the others, each exchanged countless messages with Ethan, staying up late into the evenings to deepen their connections with this fascinating man. His detailed excuses about broken webcams and complicated international calling plans seemed believable, as did last minute trip cancellations. After all, why would he lie? Ethan wasn't after money—he never convinced his marks to shell out thousands of dollars for some imagined crisis.

Jocasta is just fifteen when she is told that she must marry the King of Thebes, an old man she has never met. Her life has never been her own, and nor will it be, unless she outlives her strange, absent husband. Ismene is the same age when she is attacked in the palace she calls home. Since the day of her parents' tragic deaths a decade earlier, she has always longed to feel safe with the family she still has. But with a single act of violence, all that is about to change. With the turn of these two events, a tragedy is set in motion. But not as we’ve known it.

Connie Chung is a pioneer. In 1969 at the age of 23, this once-shy daughter of Chinese parents took her first job at a local TV station in her hometown of Washington, D.C. and soon thereafter began working at CBS news as a correspondent. Profoundly influenced by her family’s cultural traditions, yet growing up completely Americanized in the United States, Chung describes her career as an Asian woman in a white male-centered world.

Meet Paige: professional milliner, amateur baker and… detective? When a beloved internet food personality is murdered, bridal boutique milliner Paige Andrews must don her detective hat. Can she uncover the truth before it’s too late or will the real killer serve her a slice of danger?

Bayou transplant Odessa Dean has a lot to learn about life in Brooklyn. So far she's scored a rent free apartment in one of the nicest neighborhoods around by cat-sitting, and has a new job working at Untapped Books & Café. Hand-selling books and craft beers is easy for Odessa, but making new friends and learning how to ride the subway? Well, that might take her a little extra time. But things turn more sour than an IPA when the death of a fellow waitress goes viral, caught on camera in the background of a couple's flash-mob proposal video.

Murder is not her department. It’s not like it used to be. Modern-day grim reapers wear business casual, not black cloaks, and they don’t carry scythes, they work for S. C. Y. T. H. E. (Secure Collection, Yielding, and Transportation of Human Essences), where the Department of Natural Causes is the least exciting gig. And that’s how Kathy Valence likes it: boring and predictable. She has enough stress in her personal life; she’s mid-divorce, pregnant, and terrified she doesn’t have what it takes to be a good mom. Then, she goes to pick up a new client and finds his soul is missing.

It's 1985, and Joe Stone is excited to be joining his old school friend, and lifelong crush, Chris, for a long weekend in London's Soho—home to a vibrant, developing gay scene, and a million miles from the small town where Joe and Chris grew up. When Chris is found brutally murdered, the police write his death off as just another rent boy fallen foul of a bad hook up. But Joe knows his friend was killed deliberately, and joins forces with former police detective, Russell Dixon—Chris's flatmate—to find out why.

Jolie always has her hands full appraising houses, running the food pantry, and enjoying her family. Enter Buck Brock — an annoying landlord who likes to skimp on amenities and wants Jolie to lowball appraisals on properties he’s buying. He makes Lester Argrow -- usually Ocean Alley's most annoying realtor -- look like a polite uncle. She and Scoobie also decide to let a troubled Iraq War vet back into their lives, and Jolie finds him work cleaning units for Buck. Will Josh’s presence help or hurt her family — especially Scoobie? Jolie’s in the Java Jolt Coffee Shop when Buck’s ...

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Based on the bestselling Audible Original by Anthony Khaseria, THE RATCATCHER is a thrilling police drama for fans of Joy Ellis and Michael Wood. It's been twelve weeks since Dresden Commissioner Paula Beyer was sent to the small town of Freidorf to investigate the disappearance of several teenagers. Now she is sitting opposite a psychologist who is tasked with figuring out whether Paula's statements about the case are true, or whether she needs to be suspended until further notice.

Cordelia Black loves exactly three things: her chosen family, her hairdresser (worth every penny plus tip), and killing bad men. By day she's an ambitious pharma rep with a flawless reputation and designer wardrobe. By night, she culls South Louisiana of unscrupulous men—monsters who think they've evaded justice, until they meet her. Sure, the evening news may have started throwing around phrases like serial killer, but Cordelia knows that's absurd. But when Cordelia discovers a flaw in her perfectly designed system for eliminating monsters, pressure heightens.

Richard Cunningham is having a really bad Sunday. He gets a phone call that his best friend from childhood back in Milwaukee, back when everyone called him Richie, is dead. Arthur Fonzarelli. The Fonz. Lost control of his motorcycle while crossing a bridge and plummeted into the water below. Two days of searching and still no body, no trace of his trademark leather jacket. Richard flies back for the memorial service, only to discover Fonzie’s death was no accident - it was murder.

Johannesburg, 1980s Apartheid South Africa. Augustine flees her vengeful ex-boyfriend with nothing but her child and the clothes on her back, terrified he will find her. Because she also possesses a dangerous secret. One he will kill for. One he will never stop hunting her for. But Augustine is rescued by a wealthy white housewife who takes pity on her, offering both employment and refuge. Or so she thinks. It might seem that she is safe inside the walls of the prosperous Diamond family home, but outside her every move is watched. Her sanctuary has become her prison.